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  1. Collection/
  2. Musée Gustave-Moreau/
  3. Bacchanale
Bacchanale, Gustave Moreau, 1850 vers
Gustave Moreau, portraitGustave MoreauFrench, 1826–1898

Bacchanale

Painting · 50 × 154 cm

May one see it?

Unknown

MG
Musée Gustave-Moreau

Paris, France

The owner is known; whether it is on view today is not.

In this state since
Oct 5, 2026
Source
The museum
On the mapMuseum page

Particulars

1850 · aged 24
18261898
Accession number
Inv. 15717

In the catalog

PaintingsOilFrench paintingRealism19th centuryFrance

Sources

  • Musée Gustave-Moreau
  • Image: Musée Gustave-Moreau — © Lagiewski ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde

Meanwhile, in the life of Gustave Moreau

The whole life
  1. 1841–1857 · Workplace

    Paris

  2. 1846–1849 · Education

    Beaux-Arts de Paris

  3. 1848–1849

    Failure at the Prix de Rome and departure from the École

    Moreau had grand aspirations of winning the Grand Prix de Rome, but when he failed to make the final rounds in 1848 and 1849 he left the École des Beaux-Arts prematurely. His style soon drifted away from the academy’s, though the basics of Beaux-Arts methods and his commitment to history painting stayed with him for life.

  4. early 1850s

    Friendship and mentorship with Théodore Chassériau

    In the early 1850s Moreau developed a close friendship and mentorship with Théodore Chassériau, seven years his senior and a neighbour: he rented a studio near Chassériau’s and soon followed his example, becoming something of a dapper man about town, attending the opera and theatre and even singing at social gatherings.

  5. 1852

    Salon debut: the state buys his “Pietà”

    In 1852 Moreau took part in the Paris Salon for the first time, presenting a Pietà that the state bought for 600 francs. From the 1850s he exhibited with some regularity and, with his father’s help, secured commissions from the city.

  6. 1852–1853

    The townhouse at 14 rue de la Rochefoucauld

    His father bought a townhouse at 14 rue de la Rochefoucauld and converted the top floor into a studio for Gustave. Moreau lived and worked there, a bachelor, for the rest of his life; the house later became his museum.

More by Gustave Moreau

All works
Oedipus and the Sphinx, Gustave Moreau, 1864

Oedipus and the Sphinx

1864 · The Metropolitan Museum of Art

Dejanira (Autumn), Gustave Moreau, about 1872–1873

Dejanira (Autumn)

about 1872–1873 · J. Paul Getty Museum

Salome with the Head of John the Baptist, Gustave Moreau, ca. 1876

Salome with the Head of John the Baptist

ca. 1876 · The Metropolitan Museum of Art

Hercules and the Lernaean Hydra, Gustave Moreau, 1875–76

Hercules and the Lernaean Hydra

1875–76 · Art Institute of Chicago

Jacob and the Angel, Gustave Moreau, 1874-1878

Jacob and the Angel

1874-1878 · Harvard Art Museums

The Infant Moses, Gustave Moreau, c. 1876-c. 1878

The Infant Moses

c. 1876-c. 1878 · Harvard Art Museums

The Apparition, Gustave Moreau, 1876-1877

The Apparition

1876-1877 · Harvard Art Museums

The Sirens, Gustave Moreau, 1882

The Sirens

1882 · Harvard Art Museums