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  3. At Venice
At Venice, Adolphe Appian, 1878

At Venice

1878 · Print

Particulars

1878 · aged 60
18181898
Accession number
1989.21.1

More by Adolphe Appian

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Neighbors at National Gallery of Art

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On the same theme · Italy

All works on the theme
Adolphe Appian, portraitAdolphe AppianFrench, 1818–1898

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

ItalyVenice

In the catalog

PrintsEtchingRealismImpressionism19th centuryFrench

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access
Barque de pecheurs faisant escale dans les rochers de Collioure, Adolphe Appian

Barque de pecheurs faisant escale dans les rochers de Collioure

Not on view · National Gallery of Art

Marais de la Burbanche, Adolphe Appian

Marais de la Burbanche

Not on view · National Gallery of Art

Cabanes de pecheurs sur les cotes d'Italie, Adolphe Appian

Cabanes de pecheurs sur les cotes d'Italie

Not on view · National Gallery of Art

Canal aux Martiques, Adolphe Appian

Canal aux Martiques

Not on view · National Gallery of Art

A Rider by a Mountain Pond at Sunset, Adolphe Appian, 1870s

A Rider by a Mountain Pond at Sunset

1870s · Not on view · National Gallery of Art

Un Jour d'automne a Artemare, Adolphe Appian

Un Jour d'automne a Artemare

Not on view · National Gallery of Art

A Gorge de Loup, Adolphe Appian

A Gorge de Loup

Not on view · National Gallery of Art

Chemin des Roches, Adolphe Appian

Chemin des Roches

Not on view · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Not on view · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Not on view · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Not on view · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Not on view · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Not on view · National Gallery of Art