Analytical Chart

1919–1922

The theoretical writings of the Vitebsk years

In Vitebsk Malevich published the theoretical work “On New Systems in Art” (1919), issued the UNOVIS manifesto in the journal “Iskusstvo” (1921), and in 1922 finished his chief theoretical and philosophical work, “Suprematism. The World as Non-Objectivity, or Eternal Rest”, and brought out the pamphlet “God Is Not Cast Down. Art, Church, Factory”.

June 1922

Moving to Petrograd with his pupils

In early June 1922 Malevich moved to Petrograd with several pupils, members of UNOVIS, and joined the work of the Museum of Artistic Culture; that year his works were shown at the First Russian Art Exhibition in Berlin.

1923

An exhibition for the 25th anniversary of his career

In 1923 Malevich’s second solo exhibition, marking the 25th anniversary of his creative activity, was held in Moscow; that year he also gave a paper at the State Academy of Artistic Sciences and made sketches of Suprematist decoration and new forms for the Petrograd State Porcelain Factory.

1923–1926

Director of the Museum of Artistic Culture and GINKhUK

In 1923 Malevich was appointed acting director of the Petrograd Museum of Artistic Culture and began research and teaching there, surrounded by pupils who had followed him. In 1924 the museum was renamed, and from 1924 to 1926 he was director of the Leningrad State Institute of Artistic Culture (GINKhUK), where he headed the formal-theoretical department; he lived in the Myatlev house on St Isaac’s Square, where the institute was housed, from 1926 until his death.

10 June 1926

“A monastery on state supplies”: the closure of GINKhUK

On 10 June 1926 “Leningradskaya Pravda” published G. Seryi’s article “A Monastery on State Supplies”, which became the pretext for closing the institute: the newspaper called it a government-supported monastery rife with “counterrevolutionary sermonizing and artistic debauchery”. The collection of the institute’s papers prepared for print, with Malevich’s “Introduction to the Theory of the Additional Element in Painting”, was annulled, and in the autumn GINKhUK was liquidated; Malevich and his colleagues continued to work at the Institute of Art History until their dismissal in June 1929.

1926–1927

Munich: “The Non-Objective World”

In 1926–27 Malevich’s book “The Non-Objective World”, in which he set out his Suprematist theories, was published in Munich.