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America, Hiram Powers, 1850–54

America

1850–54 · Sculpture

About the sculpture

Modeling an abstract idea as a woman, here an allegory of America, artist Hiram Powers sought to give visual form to democratic ideals, which he believed would resonate strongly with audiences in both the United States and Europe in the mid-19th century. Draped cloth partially covers the figure’s chest and she wears a headband, or diadem, whose 13 stars signify the nation’s first states. This classicizing bust is drawn from Powers’s full-scale sculpture, similarly called America, in which the woman triumphantly raises one arm and stands upon broken chains. Living in Florence, Powers supported the uprisings there for a republican government. An abolitionist, he also strove to reaffirm the ideals of liberty and self-governance at home, where slavery—fueled by a white colonialist drive to expand westward—threatened the Union in the 1850s.

Art Institute of Chicago · CC BY 4.0

Particulars

1850–54
18051873
Accession number
1910.30

More by Hiram Powers

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Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — CC0
Hiram Powers, portraitHiram PowersAmerican, 1805–1873

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page
Andrew Jackson, Hiram Powers, 1834–35; carved 1839

Andrew Jackson

1834–35; carved 1839 · The Metropolitan Museum of Art

George Washington, Hiram Powers, 1838–44, carved after 1844

George Washington

1838–44, carved after 1844 · The Metropolitan Museum of Art

The Greek Slave, Hiram Powers, model 1841-1843, carved 1846

The Greek Slave

model 1841-1843, carved 1846 · National Gallery of Art

Fisher Boy, Hiram Powers, 1841–44; carved 1857

Fisher Boy

1841–44; carved 1857 · The Metropolitan Museum of Art

Proserpine, Hiram Powers, model 1844, carved 1846 or later

Proserpine

model 1844, carved 1846 or later · National Gallery of Art

Bust of "The Greek Slave", Hiram Powers, 1848

Bust of "The Greek Slave"

1848 · National Gallery of Art

America, Hiram Powers, model 1850-1854, carved after 1854

America

model 1850-1854, carved after 1854 · National Gallery of Art

California, Hiram Powers, 1850–55, carved 1858

California

1850–55, carved 1858 · The Metropolitan Museum of Art

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Art Institute of Chicago

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Art Institute of Chicago

Figure with Meat, Francis Bacon, 1954

Francis Bacon

Figure with Meat, 1954

Art Institute of Chicago

The Child's Bath, Mary Cassatt, 1893

Mary Cassatt

The Child's Bath, 1893

Art Institute of Chicago

American Collectors (Fred and Marcia Weisman), David Hockney, 1968

David Hockney

American Collectors (Fred and Marcia Weisman), 1968

Art Institute of Chicago

The Advance-Guard, or The Military Sacrifice (The Ambush), Frederic Remington, 1890

Frederic Remington

The Advance-Guard, or The Military Sacrifice (The Ambush), 1890

Not on view · Art Institute of Chicago

The Fountain, Villa Torlonia, Frascati, Italy, John Singer Sargent, 1907

John Singer Sargent

The Fountain, Villa Torlonia, Frascati, Italy, 1907

Art Institute of Chicago

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, James McNeill Whistler, 1894

James Abbott McNeill Whistler

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894

Not on view · Art Institute of Chicago

What it shows

PeoplePortrait

In the catalog

SculptureMarbleRealism19th centuryItaly