ART WIKI 32,963 on view

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ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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Collection
National Gallery of Art
Abduction (Entführung)

Abduction (Entführung), Max Klinger, 1878/1880

Abduction (Entführung)

1878/1880 · Print

Particulars

1878/1880

18571920

Accession number: 1995.82.9

Meanwhile, in the life of Max Klinger

1874–1877
Berlin: sharing a studio with Christian Krohg
He follows Gussow, who has become director of the Royal Academy of Arts in Berlin, to finish his studies there; he shares a studio with Christian Krohg, the two admire Émile Zola and Gustave Flaubert, and Adolph von Menzel serves as his model.
1875–1876 · Education
Prussian Academy of Arts
1878
First paintings shown at the Academy exhibition
He presents his paintings for the first time at the 52nd exhibition of the Royal Academy of Arts in Berlin.
April 1879
Teacher: Emile Wauters
April 1879 – 1880 · Residence
Brussels
1881 · Residence
Berlin

More by Max Klinger

Neighbors at National Gallery of Art

On the same theme · Topographical

All works on the theme

Max Klinger, portrait

Max KlingerGerman, 1857–1920

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked: 3 days ago
In this state since: Aug 19, 2026
Source: The museum

On the map Museum page

What it shows

Topographical Time of Day

In the catalog

Prints Etching Realism Impressionism 19th century German

Sources

National Gallery of Art
Image: National Gallery of Art — Museum open access

Evocation (Evocation), Max Klinger

Evocation (Evocation)

Not on view · National Gallery of Art

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Rijksmuseum

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstich-Kabinett Dresden

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstich-Kabinett Dresden

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Woman at the Seashore (Femme au bord de la mer), Pablo Picasso, 1923 or 1924

Pablo Picasso

Woman at the Seashore (Femme au bord de la mer), 1923 or 1924

Not on view · National Gallery of Art

Surface of the Moon, National Aeronautics and Space Administration, July 1969

NASA

Surface of the Moon, July 1969

Not on view · National Gallery of Art

Surface of the Moon, National Aeronautics and Space Administration, July 1969

NASA

Surface of the Moon, July 1969

Not on view · National Gallery of Art

Day 320, Survey I, Sectors 3 and 4, National Aeronautics and Space Administration, 1967

NASA

Day 320, Survey I, Sectors 3 and 4, 1967

Not on view · National Gallery of Art

Surface of the Moon, National Aeronautics and Space Administration, July 1969

NASA

Surface of the Moon, July 1969

Not on view · National Gallery of Art

Surface of the Moon, National Aeronautics and Space Administration, July 1969

NASA

Surface of the Moon, July 1969

Not on view · National Gallery of Art

Surface of the Moon, National Aeronautics and Space Administration, July 1969

NASA

Surface of the Moon, July 1969

Not on view · National Gallery of Art

Surface of the Moon, National Aeronautics and Space Administration, July 1969

NASA

Surface of the Moon, July 1969

Not on view · National Gallery of Art