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  3. A Hare in the Forest
A Hare in the Forest, Hans Hoffmann, about 1585
Hans Hoffmann, portraitHans HoffmannGerman, 1530–1591

A Hare in the Forest

about 1585 · Painting · 62.2 × 78.4 cm

May one see it?

Not receiving at present

JPG
J. Paul Getty Museum

Los Angeles, United States

It belongs to the collection, but is not on display at present.

Checked
9 hours ago
In this state since
Oct 7, 2026
Source
The museum
On the mapMuseum page

About the painting

Nibbling on a leaf pulled from a stalk of Lady's Mantle, an alert hare sits at the edge of a pine forest. Unlike the darkness one would expect to find in a forest, Hans Hoffmann painted a theatrically illuminated scene. Each plant and insect--snail, cricket, beetle--is seen in vivid detail. The finely wrought leaves of the thistle, the sprawling fronds of a plantain, and the bright blue flowers of the Hare Bell attest to Hoffmann's meticulous treatment of the subject. In fact, none of these plants could have coexisted in the natural world. Hoffmann imaginatively combined numerous individual nature studies in a single painting. Hoffmann's golden-brown hare is based on Albrecht Dürer's famous and influential watercolor which, much like his *Stag Beetle*, shows a hare against a plain ground. Hoffmann had seen Dürer's hare while in Nuremburg.

Read on

Later, when he went to work in the court of Emperor Rudolf II, he helped the Emperor acquire the watercolor for his Kunstkammer. Hoffmann's hare differs from Dürer's, however, appearing amid a striking arrangement of elegant plants and insects. At the time it was painted, this arrangement of nearly life-size subjects was entirely unique, not only within Hoffmann's body of work, but also within the tradition of German nature study.

JPGJ. Paul Getty Museum

Particulars

about 1585 · aged 55
15301591
Accession number
2001.12

In the catalog

PaintingsOilGerman paintingRenaissance16th centuryGerman

Sources

  • J. Paul Getty Museum
  • Image: J. Paul Getty Museum — Open Content

More by Hans Hoffmann

All works
Red Squirrel, Hans Hoffmann, 1578

Red Squirrel

1578 · Not on view · National Gallery of Art

Dead Blue Roller, Hans Hoffmann, 1583

Dead Blue Roller

1583 · Not on view · The Cleveland Museum of Art

Zwei tote Vögel, Hans Hoffmann, 1545–1591

Zwei tote Vögel

1545–1591 · Kupferstich-Kabinett Dresden

Vertreibung aus dem Paradies, Hans Hoffmann, 1580-1590

Vertreibung aus dem Paradies

1580-1590 · Kunsthistorisches Museum

Flowers and Beetles, Hans Hoffmann, 1582

Flowers and Beetles

1582 · Not on view · J. Paul Getty Museum

Brustbild des Apostels Bartholomäus, Hans Hoffmann, 1583

Brustbild des Apostels Bartholomäus

1583 · Kupferstich-Kabinett Dresden

Brustbild des Apostel Petrus, Hans Hoffmann, 1583

Brustbild des Apostel Petrus

1583 · Kupferstich-Kabinett Dresden

Sitzender graubrauner Windhund, Hans Hoffmann, 1585

Sitzender graubrauner Windhund

1585 · Kupferstich-Kabinett Dresden

Neighbors at J. Paul Getty Museum

Museum page
Irises, Vincent van Gogh, 1889

Vincent van Gogh

Irises, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

The Abduction of Europa, 1632