A Donkey with a Foal: Study for <i>The Cornfield</i>, John Constable, ca. 1826
John Constable, portraitJohn ConstableBritish, 1776–1837

A Donkey with a Foal: Study for <i>The Cornfield</i>

ca. 1826 · Oil painting · 21.6 × 18.4 cm

Can I see it?

Yes, on view now

Where is “A Donkey with a Foal: Study for <i>The Cornfield</i>” now? Victoria and Albert Museum, Paintings, Room 88, The Edwin and Susan Davies Galleries, London. Yes, on view now. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

RoomPaintings, Room 88, The Edwin and Susan Davies Galleries

Closed· opens tomorrow at 10:00 AM

On public display.

Checked
In this state since
Source
The museum

About the painting

Farm animals appear in many of Constable's landscapes. He once mentioned 'painting in the field from a donkey that I wanted to introduce in a little picture'. The donkey and foal in this study reappear in The Cornfield of 1826, one of Constable's most famous works. It is now in the National Gallery, London.

Victoria and Albert Museum

Details

Accession number
790-1888

What it shows

In the catalog

Sources

In the life of John Constable

The whole life
  1. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  2. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

  3. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  4. 1825

    A quarrel with Arrowsmith: the French market is lost

    In 1825 Constable quarrelled with Arrowsmith and lost his French outlet, perhaps partly from worry over his wife’s health, the uncongenial life at Brighton and the pressure of outstanding commissions. In a few years he had sold more than twenty pictures in France, more than he sold at home.

  5. 23 November 1828

    The death of his wife Maria

    After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.

  6. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

All works

In the same room · Paintings, Room 88, The Edwin and Susan Davies Galleries, Victoria and Albert Museum

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On the same theme · Donkeys

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