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  3. A Boy in Profile
A Boy in Profile, Jean Cocteau, c. 1930
Jean Cocteau, portraitJean CocteauFrench, 1889–1963

A Boy in Profile

c. 1930 · Drawing

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum
On the mapMuseum page

Particulars

c. 1930
18891963
Accession number
813.1969

In the catalog

Drawings & watercolorsGraphiteModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Jean Cocteau

The whole life
  1. 1927–1935

    Illustrations for his own books

    From the 1920s he illustrated his own writings, building figurative form from minimal strokes: an illustrated edition of “Thomas l’imposteur” appeared in 1927, “Opium” and “Le Livre blanc” in 1930, and in 1935 a portfolio of 60 illustrations for “Les Enfants terribles.”

  2. 1928

    Publishes “Le Livre blanc” anonymously

    He published “Le Livre blanc,” a mildly homoerotic, semi-autobiographical novel, anonymously; he never repudiated its authorship, and a later edition features his foreword and drawings.

  3. 1929

    The opium cure and the novel “Les Enfants terribles”

    During a strenuous opium cure he wrote “Les Enfants terribles” in a week and kept the illustrated diary “Opium: Diary of a Cure”; he was supported by his friend the Catholic philosopher Jacques Maritain, under whose influence he briefly returned to the sacraments of the Church.

  4. 1930s

    A round-the-world reportage for Paris-Soir

    He made a journey around the world and reported on it for the newspaper Paris-Soir in “Mon premier voyage: Tour du monde en 80 jours,” a neo-Jules Verne travel reportage.

  5. 1932–1934

    Living with Princess Natalia Paley

    He lived with the Russian actress Princess Natalia Paley; rumours spoke of an affair, but Paley’s biographers regard the relationship as purely platonic.

More by Jean Cocteau

All works
Scene of Orpheus (Scène d'Orphée), Jean Cocteau, n.d.

Scene of Orpheus (Scène d'Orphée)

n.d. · Not on view · The Museum of Modern Art

Frontispiece (folio 3) from Les Biches, vol. I, Jean Cocteau, 1924

Frontispiece (folio 3) from Les Biches, vol. I

1924 · Not on view · The Museum of Modern Art

Glenway Wescott, Jean Cocteau, 1926

Glenway Wescott

1926 · Not on view · The Museum of Modern Art

Monroe Wheeler, Jean Cocteau, 1927

Monroe Wheeler

1927 · Not on view · The Museum of Modern Art

Profile Head of a Woman, Jean Cocteau, 1960

Profile Head of a Woman

1960 · Not on view · National Gallery of Art

Maison de Santé, Jean Cocteau, n.d.

Maison de Santé

n.d. · Not on view · Art Institute of Chicago

Bust, Jean Cocteau, early 20th century

Bust

early 20th century · Not on view · Victoria and Albert Museum

Julia Bartet, Jean Cocteau, 20e siècle

Julia Bartet

Musée Lambinet

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950