American · 1961–

R. H. Quaytman

R. H. Quaytman is an American contemporary artist, best known for paintings on wood panels, using abstract and photographic elements in site-specific "Chapters", now numbering 35.

Where to see R. H. Quaytman

The Sun: Chapter 1, R. H. Quaytman, 2001

The Sun: Chapter 1

2001 · The Museum of Modern Art

iamb: Chapter 12, Excerpts and Exceptions, with Painting Rack, R. H. Quaytman, 2001-09

iamb: Chapter 12, Excerpts and Exceptions, with Painting Rack

2001-09 · The Museum of Modern Art

Optima: Chapter 3, R. H. Quaytman, 2004

Optima: Chapter 3

2004 · The Museum of Modern Art

iamb (blind smile): Chapter 12, R. H. Quaytman, 2008

iamb (blind smile): Chapter 12

2008 · The Museum of Modern Art

iamb (lateral inhibitions in the perceptual field): Chapter 12, R. H. Quaytman, 2008

iamb (lateral inhibitions in the perceptual field): Chapter 12

2008 · The Museum of Modern Art

iamb (The Limbo of Vanity): Chapter 12, R. H. Quaytman, 2008

iamb (The Limbo of Vanity): Chapter 12

2008 · The Museum of Modern Art

iamb (lateral inhibitions in the perceptual field): Chapter 12, R. H. Quaytman, 2009

iamb (lateral inhibitions in the perceptual field): Chapter 12

2009 · The Museum of Modern Art

Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer), R. H.  Quaytman, 2012

Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer)

2012 · Art Institute of Chicago

Orchard Spreadsheet, R. H. Quaytman, 2009

Orchard Spreadsheet

2009 · Not on view · The Museum of Modern Art

Proclitic (for Parkett no. 90), R. H. Quaytman, 2012

Proclitic (for Parkett no. 90)

2012 · Not on view · The Museum of Modern Art

A Sketch of the Whole Complicated Subject of Universal History from Tom Tit Tot, R. H. Quaytman, 2014

A Sketch of the Whole Complicated Subject of Universal History from Tom Tit Tot

2014 · Not on view · The Museum of Modern Art

Tom Tit Tot, R. H. Quaytman, 2014

Tom Tit Tot

2014 · Not on view · The Museum of Modern Art

Distracting Distance, Chapter 16, R. H. Quaytman, 2009–2010

Distracting Distance, Chapter 16

2009–2010 · Not on view · Whitney Museum of American Art

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · Not on view · Whitney Museum of American Art

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · Not on view · Whitney Museum of American Art

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · Not on view · Whitney Museum of American Art

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · Not on view · Whitney Museum of American Art

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · Not on view · Whitney Museum of American Art

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · Not on view · Whitney Museum of American Art

Passing Through the Opposite of What It Approaches, Chapter 25, R. H.  Quaytman, 2012

Passing Through the Opposite of What It Approaches, Chapter 25

2012 · Not on view · Art Institute of Chicago

Morning, Chapter 30 [German Audience], R. H.  Quaytman, 2016

Morning, Chapter 30 [German Audience]

2016 · Not on view · Art Institute of Chicago

Morning, Chapter 30, R. H.  Quaytman, 2016

Morning, Chapter 30

2016 · Not on view · Art Institute of Chicago

Orchard Spreadsheet, R. H.  Quaytman, 2016

Orchard Spreadsheet

2016 · Not on view · Art Institute of Chicago