ART WIKI 32,963 on view

Map Collection Artists Museums Exhibitions Journal

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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Artists
Hosoda Eishi

Japanese · 1756–1829

Hosoda Eishi

197in the catalog
0on view now
6collections
2countries

All On view In collections Uncertain

River View in Snow, Hosoda Eishi, late 18th–early 19th century

River View in Snow

late 18th–early 19th century · Not on view · Minneapolis Institute of Art

Courtesan at a Parade, Hosoda Eishi, early 19th century

Courtesan at a Parade

early 19th century · Not on view · Minneapolis Institute of Art

A Courtesan and her attendants under a cherry tree, Hosoda Eishi, 1790s

A Courtesan and her attendants under a cherry tree

1790s · Not on view · Minneapolis Institute of Art

Theehuis aan de Shinagawa baai, Hosoda Eishi, c. 1785 - c. 1790

Theehuis aan de Shinagawa baai

c. 1785 - c. 1790 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Courtisane Seyama uit het Matsubaya huis, Hosoda Eishi, 1790 - 1795

Courtisane Seyama uit het Matsubaya huis

1790 - 1795 · Rijksmuseum

Avondregen en wind in de pijnbomen., Hosoda Eishi, 1793 - 1797

Avondregen en wind in de pijnbomen.

1793 - 1797 · Rijksmuseum

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum

Drie vrouwen wandelend bij meer, Hosoda Eishi, 1793 - 1797

Drie vrouwen wandelend bij meer

1793 - 1797 · Rijksmuseum

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum

Dichteres Ono no Komachi, Hosoda Eishi, 1793 - 1797

Dichteres Ono no Komachi

1793 - 1797 · Rijksmuseum

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum

Courtisane Morokoshi uit het Echizenya huis, Hosoda Eishi, 1793 - 1797

Courtisane Morokoshi uit het Echizenya huis

1793 - 1797 · Rijksmuseum

Courtesan Standing Beneath a Cherry Tree, Hosoda Eishi, c. 1796

Courtesan Standing Beneath a Cherry Tree

c. 1796 · Not on view · Minneapolis Institute of Art

Moonlight [left of the pair Beauties in Spring], Hosoda Eishi, c. 1798

Moonlight [left of the pair Beauties in Spring]

c. 1798 · Not on view · Minneapolis Institute of Art

Rain [right of the pair Beauties in Spring], Hosoda Eishi, c. 1798

Rain [right of the pair Beauties in Spring]

c. 1798 · Not on view · Minneapolis Institute of Art

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · Not on view · The Cleveland Museum of Art

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · Not on view · The Cleveland Museum of Art

In a Pleasure House in Shinagawa (Shinagawa no rojo), Chôbunsai Eishi, n.d.

In a Pleasure House in Shinagawa (Shinagawa no rojo)

n.d. · Not on view · Art Institute of Chicago

The Courtesan Shizuka of the Shizutamaya, Chôbunsai Eishi, 1790s

The Courtesan Shizuka of the Shizutamaya

1790s · Not on view · Art Institute of Chicago

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · Not on view · The Cleveland Museum of Art

Three Women Strolling in the Countryside, Chōbunsai Eishi, mid 1780s

Three Women Strolling in the Countryside

mid 1780s · Not on view · The Cleveland Museum of Art

Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · Not on view · Art Institute of Chicago

Women Viewing Scroll Paintings of the Gods of Good Fortune, Chôbunsai Eishi, late 18th–early 19th century

Women Viewing Scroll Paintings of the Gods of Good Fortune

late 18th–early 19th century · Not on view · Art Institute of Chicago

Ukiyo Genji hakkei : Suzumushi no bansho, Chôbunsai Eishi, n.d.

Ukiyo Genji hakkei : Suzumushi no bansho

n.d. · Not on view · Art Institute of Chicago

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · Not on view · Art Institute of Chicago

Young Woman Kneeling by a Stand with a Ceremonial Cap (from the series The Six Immortal Poets in Elegant Modern Dress), Chōbunsai Eishi, mid 1790s

Young Woman Kneeling by a Stand with a Ceremonial Cap (from the series The Six Immortal Poets in Elegant Modern Dress)

mid 1790s · Not on view · The Cleveland Museum of Art

Takashima, from the series "A Collection of Flower-like Faces of Beauties (Bijin kagan shu)", Chôbunsai Eishi, late 18th/early 19th century

Takashima, from the series "A Collection of Flower-like Faces of Beauties (Bijin kagan shu)"

late 18th/early 19th century · Not on view · Art Institute of Chicago

A Parody of Yuranosuke in the Pleasure Quarters (Mitate Yuranosuke yukyo), Chôbunsai Eishi, n.d.

A Parody of Yuranosuke in the Pleasure Quarters (Mitate Yuranosuke yukyo)

n.d. · Not on view · Art Institute of Chicago

Strolling near Mihashi in Ueno, Chôbunsai Eishi, late 18th–early 19th century

Strolling near Mihashi in Ueno

late 18th–early 19th century · Not on view · Art Institute of Chicago

Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress), Chōbunsai Eishi, mid 1790s

Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress)

mid 1790s · Not on view · The Cleveland Museum of Art

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · Not on view · Art Institute of Chicago

The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · Not on view · Art Institute of Chicago

Ono no Komachi at Seki Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi at Seki Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · Not on view · Art Institute of Chicago

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · Not on view · The Cleveland Museum of Art

Print from Women Resting in the Votive Picture Hall at Asakusa, Chōbunsai Eishi, early 1790s

Print from Women Resting in the Votive Picture Hall at Asakusa

early 1790s · Not on view · The Cleveland Museum of Art

New Clothes for the Festival of New Herbs (Wakana no hatsuisho): Tamagiku of the Kadotamaya with Attendants Kikuno and Kikuji, Chôbunsai Eishi, n.d.

New Clothes for the Festival of New Herbs (Wakana no hatsuisho): Tamagiku of the Kadotamaya with Attendants Kikuno and Kikuji

n.d. · Not on view · Art Institute of Chicago

Women Chasing Crickets on an Autumn Moor, Chōbunsai Eishi, early 1790s

Women Chasing Crickets on an Autumn Moor

early 1790s · Not on view · The Cleveland Museum of Art

The Courtesan Ariwara of the Tsuruya Seated by a Smoking Chest (From the series A Collection of Modern Beauties), Chōbunsai Eishi, mid 1790s

The Courtesan Ariwara of the Tsuruya Seated by a Smoking Chest (From the series A Collection of Modern Beauties)

mid 1790s · Not on view · The Cleveland Museum of Art

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · Not on view · Art Institute of Chicago

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · Not on view · Art Institute of Chicago

Woman Holding a Wooden Cup Stand Decorated with Chrysanthemums (from the series Elegant Pictures of the Five Seasonal Festivals), Chōbunsai Eishi, mid 1790s

Woman Holding a Wooden Cup Stand Decorated with Chrysanthemums (from the series Elegant Pictures of the Five Seasonal Festivals)

mid 1790s · Not on view · The Cleveland Museum of Art

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · Not on view · Art Institute of Chicago

Watching the Shellfish Gathering during Low Tide at Shinagawa (Shinagawa shiohigari kenbutsu), Chôbunsai Eishi, n.d.

Watching the Shellfish Gathering during Low Tide at Shinagawa (Shinagawa shiohigari kenbutsu)

n.d. · Not on view · Art Institute of Chicago

Print from Women Resting in the Votive Picture Hall at Asakusa, Chōbunsai Eishi, early 1790s

Print from Women Resting in the Votive Picture Hall at Asakusa

early 1790s · Not on view · The Cleveland Museum of Art

The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)", Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)"

Edo period (1615–1868), 1801 · Not on view · Art Institute of Chicago

Beauties by Veranda, Hosoda Eishi, 1790s

Beauties by Veranda

1790s · Not on view · Minneapolis Institute of Art

(Courtesan and Wooden Doll), Hosoda Eishi, 18th-19th century

(Courtesan and Wooden Doll)

18th-19th century · Not on view · Minneapolis Institute of Art

A Dragon and Tiger Made of Pipes and Tobacco Pouches (Ryūko tabako-ire saiku), center sheet of an incomplete triptych, Chōbunsai Eishi 鳥文斎栄之, 18th century

A Dragon and Tiger Made of Pipes and Tobacco Pouches (Ryūko tabako-ire saiku), center sheet of an incomplete triptych

18th century · Not on view · Harvard Art Museums

Hanaōgiya of the Ōgiya, with kamuro Yoshino and Tatsuta (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta), Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Hanaōgiya of the Ōgiya, with kamuro Yoshino and Tatsuta (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta)

Late Edo period, late 18th century-early 19th century · Not on view · Harvard Art Museums

"SCENE IN A COURTESAN'S ROOM", Chōbunsai Eishi 鳥文斎栄之

"SCENE IN A COURTESAN'S ROOM"

Not on view · Harvard Art Museums

Poetess Koshikibu, Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Poetess Koshikibu

Late Edo period, late 18th century-early 19th century · Not on view · Harvard Art Museums

Courtesans and Kamuro in New Year's Attire, Chōbunsai Eishi 鳥文斎栄之

Courtesans and Kamuro in New Year's Attire

Not on view · Harvard Art Museums

"HANAOGI, KAMUROS AND MAID", Chōbunsai Eishi 鳥文斎栄之

"HANAOGI, KAMUROS AND MAID"

Not on view · Harvard Art Museums

Someyama, kamuro Hanano and Momiji, from the series Opening of the New Quarters of the Matsubaya (Matsubaya shintaku mise-biraki), Chōbunsai Eishi 鳥文斎栄之, 20th century

Someyama, kamuro Hanano and Momiji, from the series Opening of the New Quarters of the Matsubaya (Matsubaya shintaku mise-biraki)

20th century · Not on view · Harvard Art Museums

Courtesans on New Year's Day, Chōbunsai Eishi 鳥文斎栄之

Courtesans on New Year's Day

Not on view · Harvard Art Museums

THE SIX POETS, "SOJO HENJO", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS, "SOJO HENJO"

Not on view · Harvard Art Museums

THE SIX POETS,"NARIHIRA ASON", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"NARIHIRA ASON"

Not on view · Harvard Art Museums

Hanaōgi of the Ōgiya with kamuro Yoshino and Tatsuta, from the series Contest of Designs in the Pleasure Quarters (Seirō moyō awase), Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Hanaōgi of the Ōgiya with kamuro Yoshino and Tatsuta, from the series Contest of Designs in the Pleasure Quarters (Seirō moyō awase)

Late Edo period, late 18th century-early 19th century · Not on view · Harvard Art Museums

PATTERNS OF THE GREEN HOUSES,"HANAZUMA OF HYOGOYA UCHI", Chōbunsai Eishi 鳥文斎栄之

PATTERNS OF THE GREEN HOUSES,"HANAZUMA OF HYOGOYA UCHI"

Not on view · Harvard Art Museums

THE SIX POETS,"ONO NO KOMACHI", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"ONO NO KOMACHI"

Not on view · Harvard Art Museums

Women Viewing Cherry Blossoms at Kinryūzan Temple in Asakusa, left sheet of an incomplete triptych, Chōbunsai Eishi 鳥文斎栄之

Women Viewing Cherry Blossoms at Kinryūzan Temple in Asakusa, left sheet of an incomplete triptych

Not on view · Harvard Art Museums

The Courtesan Shinohara of the Tsuruya, from the series New Year Fashions as Fresh as Young Leaves (Wakana hatsu ishō), Chōbunsai Eishi 鳥文斎栄之, 18th century

The Courtesan Shinohara of the Tsuruya, from the series New Year Fashions as Fresh as Young Leaves (Wakana hatsu ishō)

18th century · Not on view · Harvard Art Museums

BUNYA NO YASUHIDE, ONE OF THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

BUNYA NO YASUHIDE, ONE OF THE SIX IMMORTAL POETS

Not on view · Harvard Art Museums

FOUR LADIES AT SHORE, Chōbunsai Eishi 鳥文斎栄之, 19th century

FOUR LADIES AT SHORE

19th century · Not on view · Harvard Art Museums

COURTESAN WAKOKU AS OTOMONO KURONOSHI AND COURTESAN KASUAGANO AS ARIWARA NO NARIHIRA, FROM A SERIES REPRESENTING THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

COURTESAN WAKOKU AS OTOMONO KURONOSHI AND COURTESAN KASUAGANO AS ARIWARA NO NARIHIRA, FROM A SERIES REPRESENTING THE SIX IMMORTAL POETS

Not on view · Harvard Art Museums

Flower Wrestling in March (Seirō Manzai Niwaka), Chōbunsai Eishi 鳥文斎栄之

Flower Wrestling in March (Seirō Manzai Niwaka)

Not on view · Harvard Art Museums

PASSING VIEW OF THE 12 MONTHS THE END OF SPRING., Chōbunsai Eishi 鳥文斎栄之

PASSING VIEW OF THE 12 MONTHS THE END OF SPRING.

Not on view · Harvard Art Museums

Courtesan Kisegawa of the Matsubaya, kamuro Takeno and Sasano, Chōbunsai Eishi 鳥文斎栄之, 18th century

Courtesan Kisegawa of the Matsubaya, kamuro Takeno and Sasano

18th century · Not on view · Harvard Art Museums

Hinazuru of the Chōjiya and Attendants, from the series Edo Purple in the Pleasure Quarters (Seirō Edo Murasaki), Chōbunsai Eishi 鳥文斎栄之, 18th century

Hinazuru of the Chōjiya and Attendants, from the series Edo Purple in the Pleasure Quarters (Seirō Edo Murasaki)

18th century · Not on view · Harvard Art Museums

The Leaning Plum at Ueno Park, Chōbunsai Eishi 鳥文斎栄之

The Leaning Plum at Ueno Park

Not on view · Harvard Art Museums

Tanabata, from the series Fashionable Five Festivals (Fūryū gosekku), Chōbunsai Eishi 鳥文斎栄之, late 18th to early 19th century

Tanabata, from the series Fashionable Five Festivals (Fūryū gosekku)

late 18th to early 19th century · Not on view · Harvard Art Museums

"USHIWAKA & HINAZURU", Chōbunsai Eishi 鳥文斎栄之

"USHIWAKA & HINAZURU"

Not on view · Harvard Art Museums

Ladies Imitating a Courtly Insect Hunt, center sheet of a triptych, Chōbunsai Eishi 鳥文斎栄之, 20th century

Ladies Imitating a Courtly Insect Hunt, center sheet of a triptych

20th century · Not on view · Harvard Art Museums

OTOMO KURONOSHI, ONE OF THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

OTOMO KURONOSHI, ONE OF THE SIX IMMORTAL POETS

Not on view · Harvard Art Museums

THE SIX POETS,"KISEN HOSHI", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"KISEN HOSHI"

Not on view · Harvard Art Museums

Courtesan and Kamuro Through a Round Window, Chōbunsai Eishi 鳥文斎栄之

Courtesan and Kamuro Through a Round Window

Not on view · Harvard Art Museums

Yang Kuei-fei, Chobunsai Eishi 鳥文斎栄之, late 18th-19th century

Yang Kuei-fei

late 18th-19th century · National Museum of Asian Art

A geisha about to adjust a tortoise-shell hairpin, Chobunsai Eishi 鳥文斎栄之, late 18th century

A geisha about to adjust a tortoise-shell hairpin

late 18th century · National Museum of Asian Art

Sugawara of the Tsuruya with Attendants Mumeno and Takeno, Chôbunsai Eishi, c. 1787

Sugawara of the Tsuruya with Attendants Mumeno and Takeno

c. 1787 · Not on view · Art Institute of Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · Not on view · Art Institute of Chicago

Nanamachi of the Yotsumeya with Attendants Sumano and Akashi, Chôbunsai Eishi, c. 1787

Nanamachi of the Yotsumeya with Attendants Sumano and Akashi

c. 1787 · Not on view · Art Institute of Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · Not on view · Art Institute of Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · Not on view · Art Institute of Chicago

Keyblock impression for Five Beauties, Hosoda Eishi, 1787–96

Keyblock impression for Five Beauties

1787–96 · Not on view · Minneapolis Institute of Art

Three Courtesans of the Tsuataya House, Hosoda Eishi, 1787–98

Three Courtesans of the Tsuataya House

1787–98 · Not on view · Minneapolis Institute of Art

Gathering at a Teahouse on the Bank of the Sumida River, Chôbunsai Eishi, c. 1788/90

Gathering at a Teahouse on the Bank of the Sumida River

c. 1788/90 · Not on view · Art Institute of Chicago

Two Girls under an Umbrella, Chôbunsai Eishi, c. 1788/89

Two Girls under an Umbrella

c. 1788/89 · Not on view · Art Institute of Chicago

The Eighth Month (Nanryo), from the series a Calendar of Elegance (Furyu junikagetsu), Chôbunsai Eishi, c. 1788

The Eighth Month (Nanryo), from the series a Calendar of Elegance (Furyu junikagetsu)

c. 1788 · Not on view · Art Institute of Chicago

View of the Sumida River from the Temporary Quarters of the Ōgiya in Nakasu, Chōbunsai Eishi 鳥文斎栄之, c. 1788 (Tenmei 8)

View of the Sumida River from the Temporary Quarters of the Ōgiya in Nakasu

c. 1788 (Tenmei 8) · Not on view · Harvard Art Museums

Narihira, from the series "Six Immortal Poets (Rokkasen)", Chôbunsai Eishi, c. 1789/90

Narihira, from the series "Six Immortal Poets (Rokkasen)"

c. 1789/90 · Not on view · Art Institute of Chicago

Viewing Cherry Blossoms from a Teahouse on Asuka Hill, Chôbunsai Eishi, c. 1789/90

Viewing Cherry Blossoms from a Teahouse on Asuka Hill

c. 1789/90 · Not on view · Art Institute of Chicago

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