George Norman Barnard was an American photographer most well known for his photographs from the American Civil War era.
Where to see George N. Barnard

Savannah, Georgia, No. 2
1866 · The Metropolitan Museum of Art

Untitled
1846-53 · Not on view · The Museum of Modern Art

Orchard Knob from Mission Ridge
1864-1866 · Not on view · National Gallery of Art

Trestle Bridge at Whiteside
1864 · Not on view · National Gallery of Art

Battleground of Resaca, Georgia, No 3
1864 · Not on view · National Gallery of Art

City of Atlanta, Georgia, No. 1
1864 · Not on view · National Gallery of Art

Pass in the Raccoon Range, Whiteside No. 1
1864 · Not on view · National Gallery of Art

Rebel Works in Front of Atlanta, GA, No. 4
1864 · Not on view · National Gallery of Art

Battlefield in Atlanta
1864 · Not on view · National Gallery of Art

The Allatoona Pass, looking North from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

View of Atlanta, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The Battle Ground of Resaca, No. 3 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Buzzard Roost from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Rebel Works in front of Atlanta, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Savannah, Looking down the River from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The Battlefield of Peach Tree Creek from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The Crest of Mission Ridge from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Chattanooga, from the North from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The Potter House, Atlanta from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Sherman and his Generals from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Battlefield of the New Hope Church, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

View from Kenesaw Mountain from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Orchard Knob, from Mission Ridge from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Pine Mountain from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Battlefield of Atlanta, 22nd July, 1864, No. 1 from the album Photographic Views of Sherman's Campaign
1864 · Not on view · The Museum of Modern Art

The John Ross House from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Trestle Bridge, at Whiteside from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Mission Ridge, from Orchard Knob from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Our Line in front of Kenesaw Mountain from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Sherman's Hair-Pins
1864 · Not on view · The Museum of Modern Art

Battlefield of New Hope Church, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The Allatoona Pass from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Exterior View of Fort Sumter from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Ruins of the R.R. Depot, Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866)
1864-65 · Not on view · The Museum of Modern Art

Pass in the Raccoon Range, No. 2 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Whiteside Valley, below the Bridge from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Pass in the Racoon Range, No. 1 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Mission Ridge, Scene of Sherman's Attack from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The New Capitol, Columbia, South Carolina from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

South Bank of the Chattahoochie from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Atlanta, from the Works, No. 3 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Rebel Works in front of Atlanta, No. 5 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866)
1864-65 · Not on view · The Museum of Modern Art

The Battle Ground of Resaca, No.2 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Chattanooga Valley from Lookout Mountain
1864 - 1866 · Rijksmuseum

Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Savannah River, near the City from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Scene of General McPherson's Death from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Battlefield of Atlanta, 22nd July, 1864, No. 2 from the album Photographic Views of Sherman's Campaign
1864 · Not on view · The Museum of Modern Art

Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Destruction of Hood's Ordnance Train from the album Photographic Views of Sherman's Campaign(1866)
1864-65 · Not on view · The Museum of Modern Art

Fountain and Park, Savannah from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Nashville, from the Capitol from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Ruins of the Pinckney Mansion, Charleston from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Rebel Works in front of Atlanta, No. 4 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The "Capitol," Nashville, Tennessee from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Ringold, Georgia from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Columbia, from the Captiol from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Allatoona Pass, from the Etawah from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Fort Sumter from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Resaca, from the Rebel Works from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The Battle Ground of Resaca, No. 1 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The "Hell Hole," New Hope Church, Georiga from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Rebel Works in front of Atlanta, No. 2 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Defences of the Etawah Bridge from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Lu-La-Lake, Lookout Mountain from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Interior View of Fort Sumter from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

City of Atlanta, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

Buen Ventura, Savannah from the album Photographic Views of Sherman's Campaign
1864-65 · Not on view · The Museum of Modern Art

The Allatoona Pass, Looking North, Georgia
1865 · Not on view · National Gallery of Art

The New Capitol, Columbia, South Carolina
1865 · Not on view · National Gallery of Art

Rebel Works in front of Atlanta, Georgia (No. 3)
1865 · Not on view · National Gallery of Art

Columbia from the Capitol
1865-1866 · Not on view · National Gallery of Art

Whiteside Valley Below the Bridge
1865 · Not on view · National Gallery of Art

Gezicht op de verwoestingen in de Amerikaanse stad Columbia
1865 · Rijksmuseum

Lookout Mountain, Georgia
1866 · Not on view · National Gallery of Art

From Lookout Mountain
1866 · Not on view · The Museum of Modern Art

"Old South Carolina Plantation"
c. 1869 · Not on view · National Gallery of Art

"Digging Sweet Potatoes in South Carolina"
c. 1869 · Not on view · National Gallery of Art

Among the Ruins in Chicago. Post Office, Interior view, North end.
October 9, 1871 · Not on view · J. Paul Getty Museum

Woodsawyers' Nooning
negative October 1853; print late1853 · Not on view · J. Paul Getty Museum

Woodsawyers' Nooning
negative October 1853; print late 1853 · Not on view · J. Paul Getty Museum
![[Portrait of a young woman with brooch], George N. Barnard, about 1855](https://media.getty.edu/iiif/image/21c7fb84-bd51-4129-9dff-94549fb47320/full/!1200,1200/0/default.jpg)
[Portrait of a young woman with brooch]
about 1855 · Not on view · J. Paul Getty Museum

Instantaneous View. The Harbor of Havana, with Fountain of Neptune in the foreground.
about 1859–1860 · Not on view · J. Paul Getty Museum

Instantaneous View, from the Calle de Obispo looking towards the Plaza.
about 1859–1861 · Not on view · J. Paul Getty Museum
![Plantation View. Unloading Cane. A fine group of cattle. [Cuba], George N. Barnard, about 1859](https://media.getty.edu/iiif/image/4b31da56-4b5d-4226-ba18-ec8f39c4c7a5/full/!1200,1200/0/default.jpg)
Plantation View. Unloading Cane. A fine group of cattle. [Cuba]
about 1859 · Not on view · J. Paul Getty Museum
![The Grecian Chapel built on the spot where Columbus first said Mass. [Cuba], George N. Barnard, about 1859–1861](https://media.getty.edu/iiif/image/0682824d-1b54-46d0-81ac-fcc7501bd903/full/!1200,1200/0/default.jpg)
The Grecian Chapel built on the spot where Columbus first said Mass. [Cuba]
about 1859–1861 · Not on view · J. Paul Getty Museum
U.S.M. Bridge, Chattanooga
ca. 1860-1865 · Smithsonian American Art Museum

Untitled (Slave Quarters)
c. 1860 · Not on view · Harvard Art Museums
![An Instantaneous View. The Harbor of Havana, with an English Yacht running out past the Moro [sic] Castle., George N. Barnard, 1860](https://media.getty.edu/iiif/image/ad218575-9efc-4396-8c49-7232709dab5a/full/!1200,1200/0/default.jpg)
An Instantaneous View. The Harbor of Havana, with an English Yacht running out past the Moro [sic] Castle.
1860 · Not on view · J. Paul Getty Museum

Palace of the Conde de Santovenia.
about 1860–1862 · Not on view · J. Paul Getty Museum

The Grecian Chapel built on the spot where Columbus first said Mass.
about 1860–1862 · Not on view · J. Paul Getty Museum

The Fish Market at Havana from the Calle de Tacon, with the Cathedral of Columbus in the distance
about 1860–1862 · Not on view · J. Paul Getty Museum

Interior View. Palace of the Conde de Santovenia. The Drawing Room.
about 1860–1862 · Not on view · J. Paul Getty Museum
