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Collections: Art Institute of Chicago, Harvard Art Museums, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), and Wikidata (6 museums). Images belong to their rights holders.

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Artists
Eishosai Choki

Japanese · 1725–1795

Eishosai Choki

26in the catalog
0on view now
4collections
2countries

All On view In collections Uncertain

Asahina no Saburo in gevecht met Soga no Goro, Eishôsai Chôki, in or after 1791 - in or before c. 1810

Asahina no Saburo in gevecht met Soga no Goro

in or after 1791 - in or before c. 1810 · Rijksmuseum

Courtisane met rookgerei, Eishôsai Chôki, c. 1795

Courtisane met rookgerei

c. 1795 · Rijksmuseum

Catching Fireflies, Eishosai Choki, c.1790s

Catching Fireflies

c.1790s · Not on view · Art Institute of Chicago

Binzasara, A Dance with Clappers (From the series Entertainments at the Height of the Niwaka Festival in the Pleasure Quarters), Eishōsai Chōki, early 1790s

Binzasara, A Dance with Clappers (From the series Entertainments at the Height of the Niwaka Festival in the Pleasure Quarters)

early 1790s · Not on view · The Cleveland Museum of Art

The Courtesan Hinazuru of the Chojiya and Her Attendants, Eishosai Choki, early 1790s

The Courtesan Hinazuru of the Chojiya and Her Attendants

early 1790s · Not on view · Art Institute of Chicago

Tōjin, from the series Amusements of the Niwaka Festival in the Yoshiwara (Seirō Niwaka zensei asobi), Eishōsai Chōki 栄松斎長喜, 18th and 19th centuries

Tōjin, from the series Amusements of the Niwaka Festival in the Yoshiwara (Seirō Niwaka zensei asobi)

18th and 19th centuries · Not on view · Harvard Art Museums

Sheet Four from Enjoying Cool Air on a Pleasure Boat, a Pentaptych (Suzumibune gomai tsuzuki, yon), Eishōsai Chōki 栄松斎長喜

Sheet Four from Enjoying Cool Air on a Pleasure Boat, a Pentaptych (Suzumibune gomai tsuzuki, yon)

Not on view · Harvard Art Museums

Rival Beauties at a Cockfight, Eishōsai Chōki 栄松斎長喜, Late Edo period, late 18th to early 19th century

Rival Beauties at a Cockfight

Late Edo period, late 18th to early 19th century · Not on view · Harvard Art Museums

Kintarō Umpiring a Fight Between a Rooster and a Tengu, Eishōsai Chōki 栄松斎長喜

Kintarō Umpiring a Fight Between a Rooster and a Tengu

Not on view · Harvard Art Museums

Courtesan Somenosuke of the Matsubaya (Matsubaya uchi Somenosuke), from the series "Beauties of the Yoshiwara" (Seirō bijin awase), Eishōsai Chōki 栄松斎長喜, Mid to Late Edo period, circa 1780-1805

Courtesan Somenosuke of the Matsubaya (Matsubaya uchi Somenosuke), from the series "Beauties of the Yoshiwara" (Seirō bijin awase)

Mid to Late Edo period, circa 1780-1805 · Not on view · Harvard Art Museums

Parody of Act Seven from the series Treasury of Loyal Retainers (Chūshingura: Shichi danme), Eishōsai Chōki 栄松斎長喜, Edo period, circa 1780-1805

Parody of Act Seven from the series Treasury of Loyal Retainers (Chūshingura: Shichi danme)

Edo period, circa 1780-1805 · Not on view · Harvard Art Museums

The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya, Eishosai Choki, c. 1791

The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya

c. 1791 · Not on view · Art Institute of Chicago

The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya, Eishosai Choki, c. 1792

The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya

c. 1792 · Not on view · Art Institute of Chicago

Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters (Seiro bijin awase)", Eishosai Choki, c. 1793/97

Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters (Seiro bijin awase)"

c. 1793/97 · Not on view · Art Institute of Chicago

Ebisu and Daikokuten tasting Sake, Eishosai Choki, c. 1794–5

Ebisu and Daikokuten tasting Sake

c. 1794–5 · Not on view · Art Institute of Chicago

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, Eishosai Choki, c. 1794

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya

c. 1794 · Not on view · Art Institute of Chicago

Sakurahime and Kiyoharu (Sakurahime Kiyoharu), Eishosai Choki, c. 1794–5

Sakurahime and Kiyoharu (Sakurahime Kiyoharu)

c. 1794–5 · Not on view · Art Institute of Chicago

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, Eishosai Choki, c. 1794

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya

c. 1794 · Not on view · Art Institute of Chicago

Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, Eishosai Choki, c. 1794

Moto, a Waitress of the Yoshidaya, and the Geisha Mizue

c. 1794 · Not on view · Art Institute of Chicago

Moon viewing, Eishosai Choki, c. 1794

Moon viewing

c. 1794 · Not on view · Art Institute of Chicago

Good and Evil Influences (Zendama akudama), Eishosai Choki, c. 1795

Good and Evil Influences (Zendama akudama)

c. 1795 · Not on view · Art Institute of Chicago

Good and Evil Influences (Zendama akudama), Eishosai Choki, c. 1795

Good and Evil Influences (Zendama akudama)

c. 1795 · Not on view · Art Institute of Chicago

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), Eishosai Choki, c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame)

c. 1795 · Not on view · Art Institute of Chicago

Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka, Eishosai Choki, c. 1796/97

Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka

c. 1796/97 · Not on view · Art Institute of Chicago

The Front Room of the Naniwaya (Naniwaya misesaki), Eishosai Choki, c. 1800

The Front Room of the Naniwaya (Naniwaya misesaki)

c. 1800 · Not on view · Art Institute of Chicago

Man and Woman in a Landscape, Eishōsai Chōki 栄松斎長喜, Late Edo period, circa 1803-1804

Man and Woman in a Landscape

Late Edo period, circa 1803-1804 · Not on view · Harvard Art Museums

Eishosai Choki · ART WIKI