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Das Mittelalter, 1000–1400

7.883 Werke aus 176 Museen1.565 jetzt ausgestelltLöschen

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Text, Folio 39 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 39 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Saint Agnes in a Historiated Initial "V" from an Antiphonary, Neri da Rimini, 1310/15Neri da RiminiSaint Agnes in a Historiated Initial "V" from an Antiphonary1310/15Art Institute of Chicago
Head of Luohan, China, Northern Song, Liao, or Jin dynasty, c. 11th centuryChinaHead of LuohanNorthern Song, Liao, or Jin dynasty, c. 11th centurySaal 101AArt Institute of Chicago
Saint Bartholomew, German, 1340/50GermanSaint Bartholomew1340/50Saal 236Art Institute of Chicago
Seated Tiger, China, Liao dynasty (907–1125)ChinaSeated TigerLiao dynasty (907–1125)Art Institute of Chicago
Fol. 317r, Baruch, historiated initial H, Baruch seated at a desk writing on a scroll, c. 1275–1300Fol. 317r, Baruch, historiated initial H, Baruch seated at a desk writing on a scrollc. 1275–1300Cleveland Museum of Art
The Gotha Missal:  Fol. 83r, Corpus Domini, Master of the Boqueteaux, c. 1375Master of the BoqueteauxThe Gotha Missal: Fol. 83r, Corpus Dominic. 1375Cleveland Museum of Art
Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul, c. 1325Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paulc. 1325Cleveland Museum of Art
Medallion from the Border of a Latin Bible: The Sixth Day of Creation, Primo Miniatore di San Domenico, early 1300sPrimo Miniatore di San DomenicoMedallion from the Border of a Latin Bible: The Sixth Day of Creationearly 1300sCleveland Museum of Art
Tripod stand with nagas for a ritual conch shell, 1100sTripod stand with nagas for a ritual conch shell1100sCleveland Museum of Art
Text, folio 43 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 43 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 139 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 139 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 123 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 123 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Altarpiece with Seated Buddha, Cambodia or northeastern Thailand, Angkor period, late 12th/early 13th centuryCambodia or northeastern ThailandAltarpiece with Seated BuddhaAngkor period, late 12th/early 13th centuryArt Institute of Chicago
Mandala of Surya, the Sun God, and Lesser Planetary Deities, Cambodia, Angkor period, 12th centuryCambodiaMandala of Surya, the Sun God, and Lesser Planetary DeitiesAngkor period, 12th centuryArt Institute of Chicago
Goddess White Tara with Kneeling Donor at Base, Tibet, c. 12th centuryTibetGoddess White Tara with Kneeling Donor at Basec. 12th centuryArt Institute of Chicago
Seated Scholar, China, Song dynasty (960–1279)ChinaSeated ScholarSong dynasty (960–1279)Art Institute of Chicago
Offering Group, c. 800–1200(?)Offering Groupc. 800–1200(?)Cleveland Museum of Art
Text, Folio 55 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 55 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 117 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 117 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Votive Hanging with Image of Kannon (Kannon Kakebotoke), mid- to late 1300sVotive Hanging with Image of Kannon (Kannon Kakebotoke)mid- to late 1300sCleveland Museum of Art
Dog Head, 500–1000Dog Head500–1000Cleveland Museum of Art
Engaged Capital with Birds and Dragons, late 1100sEngaged Capital with Birds and Dragonslate 1100sCleveland Museum of Art
Spherical Fragment, 1200sSpherical Fragment1200sCleveland Museum of Art
Text, Folio 28 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 28 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 12 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 12 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Fragment of an Altarpiece with the Betrayal of Christ and the Suicide of Judas, French, 1300/1325FrenchFragment of an Altarpiece with the Betrayal of Christ and the Suicide of Judas1300/1325Saal 237Art Institute of Chicago
Virgin and Child, Niccolò di Pietro Gerini, 1390–1400Niccolò di Pietro GeriniVirgin and Child1390–1400Art Institute of Chicago
Vishnu Trivikrama, Bangladesh or India, Pala period, 11th centuryBangladesh or IndiaVishnu TrivikramaPala period, 11th centuryArt Institute of Chicago
Leaf from a Picture Cycle: Christ Carrying the Cross, The Crucifixion, The Descent from the Cross, and the Entombment, French Painter, active in Northern France, 1325/50French Painter, active in Northern FranceLeaf from a Picture Cycle: Christ Carrying the Cross, The Crucifixion, The Descent from the Cross, and the Entombment1325/50Art Institute of Chicago
The Gotha Missal:  Fol. 11r, Offering of the Souls;  Bas-de-Page, Lions , Master of the Boqueteaux, c. 1375Master of the BoqueteauxThe Gotha Missal: Fol. 11r, Offering of the Souls; Bas-de-Page, Lions c. 1375Cleveland Museum of Art
Head, 600–1100Head600–1100Cleveland Museum of Art
Folio 94 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and the rishi Bhishmottaranirgosha (recto); text (verso), 1000–1100sFolio 94 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and the rishi Bhishmottaranirgosha (recto); text (verso)1000–1100sCleveland Museum of Art
Head of Shiva, 1100sHead of Shiva1100s244 Indian and Southeast AsianCleveland Museum of Art
Historiated Initial (I) Excised from a Bible, 1200sHistoriated Initial (I) Excised from a Bible1200sCleveland Museum of Art
Scene from the Legend of Saint Perpetua, Spanish, 1350/1400SpanishScene from the Legend of Saint Perpetua1350/1400Art Institute of Chicago
God Vishnu with Goddess Lakshmi and His Mount, Garuda, in Attendance, Nepal, 11th centuryNepalGod Vishnu with Goddess Lakshmi and His Mount, Garuda, in Attendance11th centurySaal 141Art Institute of Chicago
Diptych Fragment: The Death of the Virgin, Master of Kremsmünster, 1375/1400Master of KremsmünsterDiptych Fragment: The Death of the Virgin1375/1400Saal 236Art Institute of Chicago
Madonna med Barnet, der leger med en fugl, Lorenzo di Niccolò Gerini, 1381-1415Lorenzo di Niccolò GeriniMadonna med Barnet, der leger med en fugl1381-1415Saal 201AStatens Museum for Kunst
Madonna med Barnet, omgivet af helgener og engle, Andrea da Firenze, 1346-1379Andrea di BonaiutoMadonna med Barnet, omgivet af helgener og engle1346-1379Statens Museum for Kunst
Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso), 1000–1100sFolio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso)1000–1100sCleveland Museum of Art
Text, Folio 33 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 33 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Seated Guanyin, late 1100s–1200sSeated Guanyinlate 1100s–1200s241C Chinese Buddhist SculpturesCleveland Museum of Art
Fol. 404r, Mark, historiated initial I, Mark standing with a scroll, c. 1275–1300Fol. 404r, Mark, historiated initial I, Mark standing with a scrollc. 1275–1300Cleveland Museum of Art
Text, Folio 6 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 6 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 26 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 26 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 147 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 147 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Saints John the Baptist and Catherine of Alexandria, Workshop of Paolo Veneziano, c. 1350Workshop of Paolo VenezianoSaints John the Baptist and Catherine of Alexandriac. 1350Saal 237Art Institute of Chicago
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