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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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Zeichnungen & Aquarelle

490.201 Werke aus 314 Museen703 jetzt ausgestelltLöschen

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Technik
  • Alle
  • Bleistift135.028
  • Aquarell57.038
  • Feder52.001
  • Tusche50.846
  • Kreide37.739
  • Gouache9.089
  • Kohle8.716
  • Pastell4.145
  • Öl2.355
  • Silberstift375
  • Mischtechnik297
Tiriel Supporting the Dying Myratana and Cursing His Sons, William Blake, 1786 to 1789William BlakeTiriel Supporting the Dying Myratana and Cursing His Sons1786 to 1789Yale Center for British Art
"Nor fear the rocks, nor seek the shore..." (Design 101), William Blake, between 1797 and 1798William Blake"Nor fear the rocks, nor seek the shore..." (Design 101)between 1797 and 1798Yale Center for British Art
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16), William Blake, 1793William Blake"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)1793Yale Center for British Art
Untitled, Jackson Pollock, 1951Jackson PollockUntitled1951National Gallery of Art
Socrates, a Visionary Head, William Blake, ca. 1820William BlakeSocrates, a Visionary Headca. 1820Yale Center for British Art
"Shot from the heights of Enitharmon..." (Plate 17), William Blake, 1794William Blake"Shot from the heights of Enitharmon..." (Plate 17)1794Yale Center for British Art
Untitled, Jackson Pollock, c. 1951Jackson PollockUntitledc. 1951National Gallery of Art
Ode for Music, Performed in the Senate-House; Title Page, William Blake, between 1797 and 1798William BlakeOde for Music, Performed in the Senate-House; Title Pagebetween 1797 and 1798Yale Center for British Art
Infant Joy (Plate 14), William Blake, 1789William BlakeInfant Joy (Plate 14)1789Yale Center for British Art
Untitled, Jackson Pollock, (c. 1938–41)Jackson PollockUntitled(c. 1938–41)Museum of Modern Art
The Little Girl Lost (Plate 20), William Blake, 1789William BlakeThe Little Girl Lost (Plate 20)1789Yale Center for British Art
"And purple tyrants vainly groan..." (Design 37), William Blake, between 1797 and 1798William Blake"And purple tyrants vainly groan..." (Design 37)between 1797 and 1798Yale Center for British Art
Untitled, Jackson Pollock, c. 1939/1940Jackson PollockUntitledc. 1939/1940National Gallery of Art
Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Florentine 16th century, The "Chief Framer", Raffaellino del Garbo, and Sandro Botticelli, and Filippino Lippi, Sheets probably 1480-1504; mounting & framework c. 1575/1590Sandro BotticelliPage from the Collection of Niccolò Gaddi (So-Called "Vasari Page")Sheets probably 1480-1504; mounting & framework c. 1575/1590National Gallery of Art
Un miracle de saint Jean l'Evangéliste, Botticelli, Sandro, Vers 1485/1495Sandro BotticelliUn miracle de saint Jean l'EvangélisteVers 1485/1495Louvre
Kopf eines Knaben (recto), Sandro BotticelliSandro BotticelliKopf eines Knaben (recto)Kupferstichkabinett Dresden
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14), William Blake, 1793William Blake"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)1793Yale Center for British Art
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71), William Blake, between 1797 and 1798William Blake"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)between 1797 and 1798Yale Center for British Art
The Fatal Sisters, An Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Fatal Sisters, An Ode; Title Pagebetween 1797 and 1798Yale Center for British Art
"And that toward Eden, four..." (Plate 13), William Blake, 1804 to 1820William Blake"And that toward Eden, four..." (Plate 13)1804 to 1820Yale Center for British Art
The Widow Embracing Her Husband's Grave, William Blake, 1805 to 1808William BlakeThe Widow Embracing Her Husband's Grave1805 to 1808Yale Center for British Art
Untitled, Jackson Pollock, c. 1951Jackson PollockUntitledc. 1951Museum of Modern Art
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11), William Blake, between 1797 and 1798William Blake"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)between 1797 and 1798Yale Center for British Art
Untitled, Jackson Pollock, c. 1950Jackson PollockUntitledc. 1950Museum of Modern Art
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21), William Blake, 1804 to 1820William Blake"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)1804 to 1820Yale Center for British Art
Head of a Youth Wearing a Cap; a Right Forearm with the Hand Clutching a Stone; and a Left Hand Holding a Drapery, Sandro Botticelli, 1480/1485Sandro BotticelliHead of a Youth Wearing a Cap; a Right Forearm with the Hand Clutching a Stone; and a Left Hand Holding a Drapery1480/1485National Gallery of Art
Female Nude Praying, Albrecht Dürer, 1497/1500Albrecht DürerFemale Nude Praying1497/1500National Gallery of Art
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57), William Blake, between 1797 and 1798William Blake"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)between 1797 and 1798Yale Center for British Art
The Gambols of Ghosts According with Their Affections Previous to the Final Judgment, William Blake, 1805 to 1808William BlakeThe Gambols of Ghosts According with Their Affections Previous to the Final Judgment1805 to 1808Yale Center for British Art
Untitled, Jackson Pollock, c. 1945Jackson PollockUntitledc. 1945National Gallery of Art
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9), William Blake, 1793William Blake"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)1793Yale Center for British Art
Plague (Plate 13), William Blake, 1794William BlakePlague (Plate 13)1794Yale Center for British Art
Joseph and Potiphar's Wife, William Blake, 1803 to 1805William BlakeJoseph and Potiphar's Wife1803 to 1805Yale Center for British Art
Chapter IX, "They lived a period of years..." (Plate 27), William Blake, 1794William BlakeChapter IX, "They lived a period of years..." (Plate 27)1794Yale Center for British Art
Untitled, Jackson Pollock, (c. 1945)Jackson PollockUntitled(c. 1945)Museum of Modern Art
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111), William Blake, between 1797 and 1798William Blake"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)between 1797 and 1798Yale Center for British Art
On Anothers Sorrow (Plate 24), William Blake, 1789William BlakeOn Anothers Sorrow (Plate 24)1789Yale Center for British Art
Dislocated Figure, Michael Ayrton, c. 1964Albrecht DürerDislocated Figurec. 1964Art Institute of Chicago
Untitled, Jackson Pollock, c. 1939/1942Jackson PollockUntitledc. 1939/1942National Gallery of Art
Untitled, Jackson Pollock, c. 1951Jackson PollockUntitledc. 1951National Gallery of Art
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16), William Blake, 1794William BlakeChapter V, "Two Nostrils bent down to the deep..." (Plate 16)1794Yale Center for British Art
Untitled, Jackson Pollock, c. 1943Jackson PollockUntitledc. 1943National Gallery of Art
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12), William Blake, 1793William Blake"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)1793Yale Center for British Art
A Dream (Plate 4), William Blake, 1789William BlakeA Dream (Plate 4)1789Yale Center for British Art
Untitled, Jackson Pollock, c. 1950Jackson PollockUntitledc. 1950National Gallery of Art
Chapter V, "The globe of life blood trembled..." (Plate 17), William Blake, 1794William BlakeChapter V, "The globe of life blood trembled..." (Plate 17)1794Yale Center for British Art
"To chase the rolling circle's speed..." (Design 17), William Blake, between 1797 and 1798William Blake"To chase the rolling circle's speed..." (Design 17)between 1797 and 1798Yale Center for British Art
"Enitharmon slept. ..." (Plate 10), William Blake, 1794William Blake"Enitharmon slept. ..." (Plate 10)1794Yale Center for British Art
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