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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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Zeichnungen & Aquarelle

490.201 Werke aus 314 Museen703 jetzt ausgestelltLöschen

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Technik
  • Alle
  • Bleistift135.028
  • Aquarell57.038
  • Feder52.001
  • Tusche50.846
  • Kreide37.739
  • Gouache9.089
  • Kohle8.716
  • Pastell4.145
  • Öl2.355
  • Silberstift375
  • Mischtechnik297
Famine (Plate 8), William Blake, 1794William BlakeFamine (Plate 8)1794Yale Center for British Art
The Little Black Boy (Plate 30), William Blake, 1789William BlakeThe Little Black Boy (Plate 30)1789Yale Center for British Art
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 20)1794Yale Center for British Art
"Albions Angel rose upon the Stone of Night..." (Plate 12), William Blake, 1794William Blake"Albions Angel rose upon the Stone of Night..." (Plate 12)1794Yale Center for British Art
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99), William Blake, between 1797 and 1798William Blake"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)between 1797 and 1798Yale Center for British Art
Study for a Destroying Deity, William Blake, 1820 to 1825William BlakeStudy for a Destroying Deity1820 to 1825Yale Center for British Art
"To him the mighty mother did unveil Her awful face..." (Design 49), William Blake, between 1797 and 1798William Blake"To him the mighty mother did unveil Her awful face..." (Design 49)between 1797 and 1798Yale Center for British Art
Ode to Adversity; Title Page, William Blake, between 1797 and 1798William BlakeOde to Adversity; Title Pagebetween 1797 and 1798Yale Center for British Art
"What time the thirteen Governors that England sent convene..." (Plate 15), William Blake, 1793William Blake"What time the thirteen Governors that England sent convene..." (Plate 15)1793Yale Center for British Art
"A brace of warriors... rustling in their silks and tissues..."(Design 27), William Blake, between 1797 and 1798William Blake"A brace of warriors... rustling in their silks and tissues..."(Design 27)between 1797 and 1798Yale Center for British Art
"Oft did the harvest to their sickle yield..." (Design 109), William Blake, between 1797 and 1798William Blake"Oft did the harvest to their sickle yield..." (Design 109)between 1797 and 1798Yale Center for British Art
Sigtryg with the Silken Beard (Design 69), William Blake, between 1797 and 1798William BlakeSigtryg with the Silken Beard (Design 69)between 1797 and 1798Yale Center for British Art
Los Falls through Fire (Plate 21), William Blake, 1794William BlakeLos Falls through Fire (Plate 21)1794Yale Center for British Art
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21), William Blake, between 1797 and 1798William Blake"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)between 1797 and 1798Yale Center for British Art
"Cytherea's Day..." (Design 45), William Blake, between 1797 and 1798William Blake"Cytherea's Day..." (Design 45)between 1797 and 1798Yale Center for British Art
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38, William Blake, 1819William BlakeSheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 381819Yale Center for British Art
Chapter III, "As the stars are apart from the earth..." (Plate 9), William Blake, 1794William BlakeChapter III, "As the stars are apart from the earth..." (Plate 9)1794Yale Center for British Art
Nurse's Song (Plate 22), William Blake, 1789William BlakeNurse's Song (Plate 22)1789Yale Center for British Art
Moses Receiving the Law, William Blake, ca. 1780William BlakeMoses Receiving the Lawca. 1780Yale Center for British Art
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18), William Blake, 1793William Blake"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)1793Yale Center for British Art
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22), William Blake, 1794William BlakeChapter VII, "Stretch'd for a work of eternity..." (Plate 22)1794Yale Center for British Art
The Descent of Odin, An Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Descent of Odin, An Ode; Title Pagebetween 1797 and 1798Yale Center for British Art
"Fear to stop, and shame to fly..." (Design 91), William Blake, between 1797 and 1798William Blake"Fear to stop, and shame to fly..." (Design 91)between 1797 and 1798Yale Center for British Art
"Hie thee hence, and boast at home..." (Design 85), William Blake, between 1797 and 1798William Blake"Hie thee hence, and boast at home..." (Design 85)between 1797 and 1798Yale Center for British Art
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5), William Blake, between 1797 and 1798William Blake"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)between 1797 and 1798Yale Center for British Art
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14), William Blake, 1794William Blake"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)1794Yale Center for British Art
Five Visionary Heads of Women, William Blake, 1819 to 1820William BlakeFive Visionary Heads of Women1819 to 1820Yale Center for British Art
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107), William Blake, between 1797 and 1798William BlakeThe plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)between 1797 and 1798Yale Center for British Art
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65), William Blake, between 1797 and 1798William Blake"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)between 1797 and 1798Yale Center for British Art
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3), William Blake, 1793William BlakePreludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)1793Yale Center for British Art
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19), William Blake, between 1797 and 1798William Blake"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)between 1797 and 1798Yale Center for British Art
Landscape with Spire, William Blake, ca. 1801William BlakeLandscape with Spireca. 1801Yale Center for British Art
Ode on the Spring; Title Page, William Blake, between 1797 and 1798William BlakeOde on the Spring; Title Pagebetween 1797 and 1798Yale Center for British Art
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23), William Blake, 1804 to 1820William Blake"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)1804 to 1820Yale Center for British Art
Albion Compelling the Four Zoas to Their Proper Tasks, William Blake, 1804 to 1810William BlakeAlbion Compelling the Four Zoas to Their Proper Tasks1804 to 1810Yale Center for British Art
Poems by Mr. Gray; Title Page, William Blake, between 1797 and 1798William BlakePoems by Mr. Gray; Title Pagebetween 1797 and 1798Yale Center for British Art
"In living creations appear'd..." (Plate 8), William Blake, 1794William Blake"In living creations appear'd..." (Plate 8)1794Yale Center for British Art
"We the reins to slaughter give..." (Design 73), William Blake, between 1797 and 1798William Blake"We the reins to slaughter give..." (Design 73)between 1797 and 1798Yale Center for British Art
"O'er thy country hangs The scourge of Heav'n..." (Design 59), William Blake, between 1797 and 1798William Blake"O'er thy country hangs The scourge of Heav'n..." (Design 59)between 1797 and 1798Yale Center for British Art
The Laocoön, for Rees's Cyclopædia, William Blake, 1815William BlakeThe Laocoön, for Rees's Cyclopædia1815Yale Center for British Art
The Divine Image (Plate 24), William Blake, 1789William BlakeThe Divine Image (Plate 24)1789Yale Center for British Art
The First Book of Urizen, Plate 15 (Bentley 14), William Blake, 1794William BlakeThe First Book of Urizen, Plate 15 (Bentley 14)1794Yale Center for British Art
Chapter IV, "From the caverns of his jointed spine..." (Plate 14), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 14)1794Yale Center for British Art
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28, William Blake, 1819William BlakeSheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 281819Yale Center for British Art
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9), William Blake, between 1797 and 1798William Blake"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)between 1797 and 1798Yale Center for British Art
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11), William Blake, 1793William Blake"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)1793Yale Center for British Art
"Now comes the night of Enitharmons joy!..." (Plate 7), William Blake, 1794William Blake"Now comes the night of Enitharmons joy!..." (Plate 7)1794Yale Center for British Art
Elegy Written in a Country Church-Yard; Title Page, William Blake, between 1797 and 1798William BlakeElegy Written in a Country Church-Yard; Title Pagebetween 1797 and 1798Yale Center for British Art
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