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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (74 Museen). Die Bilder gehören ihren Rechteinhabern.

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Zeichnungen & Aquarelle

512.378 Werke aus 349 Museen715 jetzt ausgestelltLöschen

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Technik
  • Alle
  • Bleistift139.729
  • Feder61.422
  • Aquarell59.077
  • Tusche52.795
  • Kreide39.883
  • Kohle9.549
  • Gouache9.482
  • Pastell4.297
  • Öl2.442
  • Silberstift430
  • Mischtechnik301
Nativity (recto); Turbaned Woman (verso), Guido Reni, about 1640–1642Guido ReniNativity (recto); Turbaned Woman (verso)about 1640–1642J. Paul Getty Museum
Alfortville, Maurice Utrillo, 1923Maurice UtrilloAlfortville1923National Gallery of Art
Obstschale, Maria Sibylla Merian, 1695Maria Sibylla MerianObstschale1695Albertina
Vier tote Bergfinken, Maria Sibylla Merian, 1695Maria Sibylla MerianVier tote Bergfinken1695Albertina
The Rocu Tree with Caterpillars, Moths, and Butterflies, Maria Sibylla Merian, 1730/1771Maria Sibylla MerianThe Rocu Tree with Caterpillars, Moths, and Butterflies1730/1771J. Paul Getty Museum
Metamorphosis of a Small Emperor Moth on a Damson Plum, plate 13 of the Caterpillar Book, Maria Sibylla Merian, 1679Maria Sibylla MerianMetamorphosis of a Small Emperor Moth on a Damson Plum, plate 13 of the Caterpillar Book1679J. Paul Getty Museum
Studies van twee staande figuren, een zittende man en een been, Johann Heinrich Füssli, 1795 - 1810Johann Heinrich FüssliStudies van twee staande figuren, een zittende man en een been1795 - 1810Rijksmuseum Amsterdam
Studieblad van zittende naakte man, Johann Heinrich Füssli, 1795 - 1810Johann Heinrich FüssliStudieblad van zittende naakte man1795 - 1810Rijksmuseum Amsterdam
Nähende Frau (Gattin des Künstlers), Henry Fuseli, 1795Johann Heinrich FüssliNähende Frau (Gattin des Künstlers)1795Kupferstichkabinett Dresden
Der Traum des Hirten (John Milton: Paradise Lost), Henry Fuseli, 1786Johann Heinrich FüssliDer Traum des Hirten (John Milton: Paradise Lost)1786Albertina
Ein Landsknecht in einer Nische stehend, Henry FuseliJohann Heinrich FüssliEin Landsknecht in einer Nische stehendKupferstichkabinett Dresden
The Peasant's Dream, Paradise Lost, Book 1, 781-8, Henry Fuseli, 1793 to 1800Johann Heinrich FüssliThe Peasant's Dream, Paradise Lost, Book 1, 781-81793 to 1800Yale Center for British Art
Study of Two Figures, Elizabeth Siddall, undatedElizabeth SiddalStudy of Two FiguresundatedYale Center for British Art
Self-Portrait: study for self-portrait in the Uffizi Gallery, Florence, Guido Reni, ca. 1630Guido ReniSelf-Portrait: study for self-portrait in the Uffizi Gallery, Florenceca. 1630Yale University Art Gallery
Manhattan Bridge, Stanford WhiteStanford WhiteManhattan BridgeNational Gallery of Art
The Battery, New York, Stanford White, c. 1900Stanford WhiteThe Battery, New Yorkc. 1900National Gallery of Art
North on Broadway from Trinity Church, Stanford White, c. 1900Stanford WhiteNorth on Broadway from Trinity Churchc. 1900National Gallery of Art
Blue Ridge Mountains, Stanford White, c. 1898Stanford WhiteBlue Ridge Mountainsc. 1898National Gallery of Art
Midnight, Henry Fuseli, 1765Johann Heinrich FüssliMidnight1765National Gallery of Art
Study of Capers, Gorse, and a Beetle, Maria Sibylla Merian, 1693Maria Sibylla MerianStudy of Capers, Gorse, and a Beetle1693Metropolitan Museum of Art
The Reclining Headless Body of Holofernes; Study of Female Semi-Nude Figure (on a small separate, unrelated sheet of blue paper, pasted onto the lower left of the large sheet), Guido Reni, 1625–40Guido ReniThe Reclining Headless Body of Holofernes; Study of Female Semi-Nude Figure (on a small separate, unrelated sheet of blue paper, pasted onto the lower left of the large sheet)1625–40Metropolitan Museum of Art
Studies of Flying Putti (recto); Composition Studies (verso), Guido Reni, 1575–1642Guido ReniStudies of Flying Putti (recto); Composition Studies (verso)1575–1642Metropolitan Museum of Art
Der Engel zeigt Moses das Gelobte Land, Henry FuseliJohann Heinrich FüssliDer Engel zeigt Moses das Gelobte LandKupferstichkabinett Dresden
Weibliche Grausamkeit [oben zwei auf den Kopf gestellte Studien], Henry Fuseli, 1817–1822Johann Heinrich FüssliWeibliche Grausamkeit [oben zwei auf den Kopf gestellte Studien]1817–1822Kupferstichkabinett Dresden
An Old Man Murdered by Three Younger Men, Johann Heinrich Fuseli, early 1770sJohann Heinrich FüssliAn Old Man Murdered by Three Younger Menearly 1770sJ. Paul Getty Museum
Blue Morpho Butterfly on a Yellow Flower, Maria Sibylla Merian, 1696Maria Sibylla MerianBlue Morpho Butterfly on a Yellow Flower1696Rijksmuseum Amsterdam
Tulip, Two Branches of Myrtle and Two Shells, Maria Sibylla Merian, 1657 - 1717Maria Sibylla MerianTulip, Two Branches of Myrtle and Two Shells1657 - 1717Rijksmuseum Amsterdam
An Intimate Concert, Henry Fuseli, 1814Johann Heinrich FüssliAn Intimate Concert1814National Gallery of Art
Satan Defying the Powers of Heaven, Henry Fuseli, late 1790sJohann Heinrich FüssliSatan Defying the Powers of Heavenlate 1790sNational Gallery of Art
Studio di parti anatomiche, Guido Reni, secc. XVII/ XVIIIGuido ReniStudio di parti anatomichesecc. XVII/ XVIIIAccademia
Scena biblica, Guido Reni, secc. XVI/ XVIIGuido ReniScena biblicasecc. XVI/ XVIIAccademia
Abstraction, Fernand Léger, 1943Fernand LégerAbstraction1943National Gallery of Art
Hands and Foot, Fernand Léger, 1933Fernand LégerHands and Foot1933National Gallery of Art
Study for the Portrait "Maud Dale", Fernand Léger, 1935Fernand LégerStudy for the Portrait "Maud Dale"1935National Gallery of Art
Study for the Portrait "Maud Dale", Fernand Léger, 1935Fernand LégerStudy for the Portrait "Maud Dale"1935National Gallery of Art
Composition, Fernand Léger, 1927Fernand LégerComposition1927National Gallery of Art
Three Figures, Max Jacob, 1928Max Jacob, Jules DepaquitThree Figures1928Museum of Modern Art
Three Costumes, Ogdred Weary, 1950Edward GoreyThree Costumes1950Yale University Art Gallery
Studies for the Virgin Mary, Guido Reni, 1617–18Guido ReniStudies for the Virgin Mary1617–18Yale University Art Gallery
Amore domato, Guido Reni, secc. XVI/ XVIIGuido ReniAmore domatosecc. XVI/ XVIIAccademia
Studio di parti anatomiche, Guido Reni, secc. XVI/ XVIIGuido ReniStudio di parti anatomichesecc. XVI/ XVIIAccademia
Satan Defying the Powers of Heaven, Henry Fuseli, late 1790sJohann Heinrich FüssliSatan Defying the Powers of Heavenlate 1790sNational Gallery of Art
Overlook from High Peak, Stanford White, n.d.Stanford WhiteOverlook from High Peakn.d.Yale University Art Gallery
Assumption of the Virgin, Guido Reni, 1575–1642Guido ReniAssumption of the Virgin1575–1642Metropolitan Museum of Art
Ecce Homo, Guido Reni, 1575–1699Guido ReniEcce Homo1575–1699Metropolitan Museum of Art
The Head of a Woman Looking Up (Judith), Guido Reni, 1625–26Guido ReniThe Head of a Woman Looking Up (Judith)1625–26Metropolitan Museum of Art
Dame im Antikensaal, Henry Fuseli, 1798-02Johann Heinrich FüssliDame im Antikensaal1798-02Kupferstichkabinett Dresden
Antigone bestattet ihren Bruder Polyneikes (Sieben gegen Theben), Henry Fuseli, 1770Johann Heinrich FüssliAntigone bestattet ihren Bruder Polyneikes (Sieben gegen Theben)1770Kupferstichkabinett Dresden
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