Work No. 2

1973 · Print

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Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft: vor 13 Tagen
Quelle: Sammlungsdaten des Museums selbst

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Inventarnummer: 135.1975

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Museum of Modern Art: the museum's own open data · abgerufen vor 13 Tagen
Bild: Museum of Modern Art — © the artist or rights holder

Alle Werke

Work No. 4B

1973 · Nicht ausgestellt · Museum of Modern Art

Work No. 3

1973 · Nicht ausgestellt · Museum of Modern Art

From Line

1974 · Nicht ausgestellt · Museum of Modern Art

Dialogue

2011 · Nicht ausgestellt · National Gallery of Art

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

1989-99 · Nicht ausgestellt · Art Institute of Chicago

Nachbarn im Haus: Museum of Modern Art

Museumsseite

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Work No. 2

Empfängt derzeit nicht

Angaben

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Work No. 4B

Work No. 3

From Line

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Work No. 2

Empfängt derzeit nicht

Angaben

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Work No. 4B

Work No. 3

From Line

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Work No. 2

Empfängt derzeit nicht

Angaben

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Mehr von Lee Ufan

Work No. 4B

Work No. 3

From Line

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Work No. 2

Empfängt derzeit nicht

Angaben

Quellen

Mehr von Lee Ufan

Work No. 4B

Work No. 3

From Line

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950