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  2. National Gallery of Art/
  3. Winter Trees, Reflected in a Pond
Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842
William Henry Fox Talbot, PorträtWilliam Henry Fox TalbotEngland, 1800–1877

Winter Trees, Reflected in a Pond

1841-1842 · Photograph

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vorgestern
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1841-1842
18001877
Inventarnummer
2018.6.2

Was es zeigt

EnglandNatureLandscape

Im Katalog

FotografienSalzpapierabzugRomantikRealismus19. JahrhundertBritish

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access

Derweil im Leben von William Henry Fox Talbot

Das ganze Leben
  1. 1839

    Daughter born: Matilda Caroline Talbot

  2. 25 January 1839

    First showing of photographs at the Royal Institution

    Shortly after Louis Daguerre’s daguerreotype was announced in early January, Talbot asserted his priority and, at a Friday Evening Discourse at the Royal Institution, exhibited several paper photographs he had made in 1835. Within a fortnight he described the nature of his process to the Royal Society, while Daguerre revealed no useful details of his own until mid-August.

  3. 1840

    Invents the calotype

    Talbot found a way to print any number of positives on salted paper from a paper negative; new chemicals cut the exposure to a minute in bright sunlight. He called the method the “calotype” (from kalos, beautiful), informally the “talbotype”: unlike the daguerreotype with its single positive, it effectively created modern photography.

  4. 1840–1841

    Post: High Sheriff of Wiltshire

  5. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

  6. 1844–1846

    “The Pencil of Nature”, the first photobook, appears

    Longman, Brown, Green & Longmans issued the book in separate parts: 24 prints, each pasted in by hand and accompanied by a short text. Talbot is regarded as the author of the first photographic book; scholars see in it the design of a new canon built on biblical rhetoric.

Mehr von William Henry Fox Talbot

Alle Werke
Oak Tree, William Henry Fox Talbot, mid-1840s

Oak Tree

mid-1840s · Nicht ausgestellt · National Gallery of Art

Lace, William Henry Fox Talbot, 1840s

Lace

1840s · Nicht ausgestellt · Museum of Modern Art

Leaf Study, William Henry Fox Talbot, 1839/1840

Leaf Study

1839/1840 · Nicht ausgestellt · National Gallery of Art

Lace, William Henry Fox Talbot, 1839-1844

Lace

1839-1844 · Nicht ausgestellt · National Gallery of Art

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

in or after 1839-04 - in or before 1840-04 · Rijksmuseum Amsterdam

Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

Entrée van de Magdalen College Chapel in Oxford

c. 1840 - c. 1850 · Rijksmuseum Amsterdam

Portrait of Nicolaas Henneman, William Henry Fox Talbot, 1842

Portrait of Nicolaas Henneman

1842 · Rijksmuseum Amsterdam

Portrait of Rosamond Constance Talbot, the Photographer’s Daughter, William Henry Fox Talbot, c. 1842

Portrait of Rosamond Constance Talbot, the Photographer’s Daughter

c. 1842 · Rijksmuseum Amsterdam

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888