Untitled (Nature's Botox)

2003 · Drawing

Darf man es sehen?

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Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft: vor 6 Tagen
Quelle: Sammlungsdaten des Museums selbst

Auf der Karte Museumsseite

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Inventarnummer: 3092.2005

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Museum of Modern Art: the museum's own open data · abgerufen vor 13 Tagen
Bild: Museum of Modern Art — © the artist or rights holder

Alle Werke

Drawings Box B (Blue Box)

2003 · Nicht ausgestellt · Museum of Modern Art

Untitled (He Called Me Homey)

(2003) · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Untitled (Nature's Botox)

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Angaben

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Drawings Box B (Blue Box)

Untitled (He Called Me Homey)

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Untitled (Nature's Botox)

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Drawings Box B (Blue Box)

Untitled (He Called Me Homey)

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Untitled (Nature's Botox)

Empfängt derzeit nicht

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Mehr von Simone Shubuck

Drawings Box B (Blue Box)

Untitled (He Called Me Homey)

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Untitled (Nature's Botox)

Empfängt derzeit nicht

Angaben

Quellen

Mehr von Simone Shubuck

Drawings Box B (Blue Box)

Untitled (He Called Me Homey)

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950