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  2. Museum of Modern Art/
  3. Untitled
Untitled, Aleksandr Rodchenko, 1928
Aleksandr Rodchenko, PorträtAleksandr RodchenkoRussland, 1891–1956

Untitled

1928 · Photograph

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Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 9 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1928 · mit 37 Jahren
18911956
Inventarnummer
62.1997

Im Katalog

FotografienSilbergelatineabzugModerne20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Aleksandr Rodchenko

Das ganze Leben
  1. 1920–1930

    Professor at VKhUTEMAS/VKhUTEIN

    For ten years Rodchenko teaches in the woodworking and metalworking faculties (merged into the Dermetfak in 1928), training students to design multifunctional objects for everyday life and public buildings, expressive through construction rather than ornament.

  2. 1923–1928

    LEF and Novy LEF with Mayakovsky

    From 1923 to 1928 Rodchenko works closely with Mayakovsky — photographing him several times and designing and laying out LEF and Novy LEF, the Constructivists' publications; many of his photographs serve as their covers.

  3. 1926

    First angled shots published in Sovetskoe Kino

    The magazine Sovetskoe Kino publishes his first angled shots of buildings — the series “The Building on Myasnitskaya” (1925) and “The Mosselprom Building” (1926). Rodchenko champions high and low viewpoints and a dynamic, documentary-precise view of the world.

  4. 1928

    First accused of formalism

    The charge of “formalism” that would dog Rodchenko is first raised in 1928 in the pages of Sovetskoe Foto. By some accounts, that same year he joins the October group.

  5. 1928

    Polemical articles in Novy LEF

    Novy LEF publishes his articles “Gross Illiteracy or Petty Filth?” (No. 6) and “A Warning” (No. 11). In the first, as in the articles “The Paths of Modern Photography” and “Against the Synthetic Portrait, for the Snapshot”, he champions a dynamic, documentary-precise vision and shooting from high and low viewpoints.

  6. 18. Mai 1929 – 7. Juli 1929

    Took part in: Film und Foto

Mehr von Aleksandr Rodchenko

Alle Werke
Красное и желтое, Aleksandr Rodchenko, 1918 (?)

Красное и желтое

1918 (?) · Russisches Museum

Белый круг (Композиция №76), Aleksandr Rodchenko, 1918

Белый круг (Композиция №76)

1918 · Russisches Museum

Untitled, Aleksandr Rodchenko, c. 1930s

Untitled

c. 1930s · Nicht ausgestellt · Museum of Modern Art

Non-Objective Painting no. 80 (Black on Black), Aleksandr Rodchenko, 1918

Non-Objective Painting no. 80 (Black on Black)

1918 · Nicht ausgestellt · Museum of Modern Art

Untitled, Aleksandr Rodchenko, 1919

Untitled

1919 · Nicht ausgestellt · National Gallery of Art

Non-Objective Painting, Aleksandr Rodchenko, 1919

Non-Objective Painting

1919 · Nicht ausgestellt · Museum of Modern Art

Toft, Aleksandr Rodchenko, 1919

Toft

1919 · Nicht ausgestellt · Museum of Modern Art

Composition, Aleksandr Rodchenko, 1919

Composition

1919 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950