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  3. Une Matinée
Une Matinée, Gustave Marissiaux, 1905

Une Matinée

1905 · Photograph

Angaben

1905 · mit 33 Jahren
18721929
Inventarnummer
2025.15.25

Mehr von Gustave Marissiaux

Alle Werke

Nachbarn im Haus: National Gallery of Art

Museumsseite

Zum selben Thema · Venice

Alle Werke zum Thema
Gustave Marissiaux, PorträtGustave MarissiauxBelgien, 1872–1929

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

VeniceWasserBootArchitekturFiguresCityscape

Im Katalog

FotografienModerne20. JahrhundertBelgian

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access
Boer op het land met een zeis, Gustave Marissiaux, c. 1893 - in or before 1898

Boer op het land met een zeis

c. 1893 - in or before 1898 · Rijksmuseum Amsterdam

Landschap met een onbekende vrouw die water haalt, Gustave Marissiaux, c. 1893 - in or before 1898

Landschap met een onbekende vrouw die water haalt

c. 1893 - in or before 1898 · Rijksmuseum Amsterdam

Landschap met bomen, Gustave Marissiaux, c. 1894 - in or before 1899-12

Landschap met bomen

c. 1894 - in or before 1899-12 · Rijksmuseum Amsterdam

Vrouw maakt een bloemstuk, Gustave Marissiaux, c. 1895 - in or before 1900

Vrouw maakt een bloemstuk

c. 1895 - in or before 1900 · Rijksmuseum Amsterdam

Landschap met bomen, Gustave Marissiaux, c. 1895 - in or before 1900-01

Landschap met bomen

c. 1895 - in or before 1900-01 · Rijksmuseum Amsterdam

Landschap met bomen, Gustave Marissiaux, c. 1895 - in or before 1900-01

Landschap met bomen

c. 1895 - in or before 1900-01 · Rijksmuseum Amsterdam

Onbekende vrouw bij een raam, Gustave Marissiaux, c. 1897 - in or before 1902

Onbekende vrouw bij een raam

c. 1897 - in or before 1902 · Rijksmuseum Amsterdam

Vrouw bij het raam, Gustave Marissiaux, c. 1900 - in or before 1905

Vrouw bij het raam

c. 1900 - in or before 1905 · Rijksmuseum Amsterdam

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Piazza San Marco, Canaletto, late 1720s

Canaletto

Piazza San Marco, late 1720s

Metropolitan Museum of Art

Venetiaanse pantoffelparade, Giovanni Battista Tiepolo, 1740 - 1760

Giovanni Battista Tiepolo

Venetiaanse pantoffelparade, 1740 - 1760

Rijksmuseum Amsterdam

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Nicht ausgestellt · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Nicht ausgestellt · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Joseph Mallord William Turner

Venice, from the Porch of Madonna della Salute, ca. 1835

Metropolitan Museum of Art