ART WIKI
Palazzo da Mula, Venice, Claude Monet, 1908
Claude Monet, PorträtClaude MonetFrankreich, 1840–1926

Palazzo da Mula, Venice

1908 · Painting

Darf man es sehen?

Ja, es empfängt Besucher

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Saal80 · Westgebäude, Hauptgeschoss

Öffentlich ausgestellt.

Geprüft
Unverändert seit
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

Inventarnummer
1963.10.182

Was es zeigt

ItalienWaterwayVenicePalazzo da Mula

Im Katalog

GemäldeÖlFranzösische MalereiModerne20. JahrhundertFrenchImpressionismus

Quellen

Derweil im Leben von Claude Monet

Das ganze Leben

  1. 1883–1926 · Wirkungsort

    Giverny

  2. October – December 1908

    Three months in Venice

    At the invitation of Mary Hunter, Monet and Alice arrived in Venice on 1 October 1908; going out daily by gondola, the artist created 37 Venetian canvases. On 12 December he sold them to the Bernheim-Jeune brothers for 12,000 francs each.

  3. 6 May 1909

    The "Les Nymphéas" exhibition

    After several postponements, an exhibition of 48 "Water Lilies" canvases of 1903–1908 opened at Durand-Ruel's — Monet's largest and most unified series to date. The exhibition was a success.

Mehr von Claude Monet

Alle Werke
The Bodmer Oak, Fontainebleau Forest, Claude Monet, 1865

The Bodmer Oak, Fontainebleau Forest

1865 · Metropolitan Museum of Art

Garden at Sainte-Adresse, Claude Monet, 1867

Garten in Sainte-Adresse

1867 · Metropolitan Museum of Art

Houses on the Achterzaan, Claude Monet, 1871

Houses on the Achterzaan

1871 · Metropolitan Museum of Art

La Corniche near Monaco, Claude Monet, 1884

La Corniche bij Monaco

1884 · Rijksmuseum Amsterdam

Grainstack, Sun in the Mist, Claude Monet, 1891

Grainstack, Sun in the Mist

1891 · Minneapolis Institute of Art

Bridge over a Pond of Water Lilies, Claude Monet, 1899

Bridge over a Pond of Water Lilies

1899 · Metropolitan Museum of Art

Glaçons à Bougival, Monet, Claude Oscar, 3e quart du XIXe siècle (1850 - 1875)

Glaçons à Bougival

3e quart du XIXe siècle (1850 - 1875) · Louvre

The Green Wave, Claude Monet, ca. 1866–67

The Green Wave

ca. 1866–67 · Metropolitan Museum of Art

Im selben Saal · M-080, National Gallery of Art

Museumsseite
Waterloo Bridge, London, at Dusk, Claude Monet, 1904

Claude Monet

Waterloo Bridge, London, at Dusk, 1904

Waterloo Bridge, London, at Sunset, Claude Monet, 1904

Claude Monet

Waterloo Bridge, London, at Sunset, 1904

Waterloo Bridge, Gray Day, Claude Monet, 1903

Claude Monet

Waterloo Bridge, Gray Day, 1903

The Seine at Giverny, Claude Monet, 1897

Claude Monet

The Seine at Giverny, 1897

Rouen Cathedral, West Façade, Claude Monet, 1894

Claude Monet

Rouen Cathedral, West Façade, 1894

Rouen Cathedral, West Façade, Sunlight, Claude Monet, 1894

Claude Monet

Rouen Cathedral, West Façade, Sunlight, 1894

Jerusalem Artichoke Flowers, Claude Monet, 1880

Claude Monet

Jerusalem Artichoke Flowers, 1880

Banks of the Seine, Vétheuil, Claude Monet, 1880

Claude Monet

Banks of the Seine, Vétheuil, 1880

Zum selben Thema · Italien

Alle Werke zum Thema
Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Nicht ausgestellt · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Nicht ausgestellt · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Nicht ausgestellt · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Nicht ausgestellt · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Nicht ausgestellt · National Gallery of Art

Atrani, Coast of Amalfi, M.C. Escher, 1931

Maurits Cornelis Escher

Atrani, Coast of Amalfi, 1931

Nicht ausgestellt · National Gallery of Art