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  3. Time and Opportunity
Time and Opportunity, David Le Marchand, ca. 1700 - ca. 1720

Time and Opportunity

ca. 1700 - ca. 1720 · Statuette

Über die Skulptur

This figure group, carved by David Le Marchand in ca. 1700-1720, is based on a life-size garden sculpture at Versailles by Thomas Regnaudin, which is sometimes called The Abduction of Cybele by Saturn. The group represents Time and Opportunity with Penitence. The winged figure of Time seizes Opportunity, but she seizes her own forelock and kills herself with a long spear. Penitence crouches beneath with a lion. Le Marchand specialised in portraiture and this is a relatively unusual subject. Charles Avery believes its sophistication indicates it is a mature or late work, although the inspiration is French, recalling the sculptor's roots.

Weiterlesen

David Le Marchand (1674-1726) was famed for his ivory carvings, particularly his portraits. He was a native of Dieppe, France, and came from a Huguenot, or Protestant, family. With the Revocation of the Edict of Nantes in 1685, and the consequent persecution of non-Catholics, he had to flee France. He was next recorded in Edinburgh in 1696, where he is documented as receiving official permission to open a shop and take on apprentices. He was in London by 1700, when he started to achieve a reputation for his portraits. Despite his wide circle of important patrons and his evident success, Le Marchand apparently died in poverty at the French Hospital, though the exact reasons for this are unknown.

He is recognised as the most distinguished ivory carver to have worked in England in the early 18th century, a period when this art enjoyed a popularity unknown since the Middle Ages.

Mehr von David Le Marchand

Alle Werke

Im selben Saal · Sculpture, Room 111, The Gilbert Bayes Gallery, Victoria and Albert Museum

Museumsseite

Zum selben Thema · Lion

Alle Werke zum Thema
Victoria and Albert Museum

Angaben

ca. 1700 - ca. 1720
16741726
Inventarnummer
A.1-1935

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
David Le Marchand, PorträtDavid Le Marchand1674–1726

Darf man es sehen?

Ja, es empfängt Besucher

Victoria and Albert Museum

London, Vereinigtes Königreich

SaalSculpture, Room 111, The Gilbert Bayes Gallery

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 13 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite
Satyr and Nymph, David Le Marchand, ca. 1696-1700

Satyr and Nymph

ca. 1696-1700 · Victoria and Albert Museum

David Melville, 3rd Earl of Leven and 2nd Earl of Melville, David Le Marchand, ca. 1696 - ca. 1700

David Melville, 3rd Earl of Leven and 2nd Earl of Melville

ca. 1696 - ca. 1700 · Victoria and Albert Museum

Thomas Guy, David Le Marchand, 1700-1724

Thomas Guy

1700-1724 · Victoria and Albert Museum

King George I, David Le Marchand, ca. 1714

King George I

ca. 1714 · Victoria and Albert Museum

Venus and Cupid, David Le Marchand, ca. 1718

Venus and Cupid

ca. 1718 · Victoria and Albert Museum

Matthew Raper, David Le Marchand, 1720

Matthew Raper

1720 · Victoria and Albert Museum

Anne Churchill, Countess of Sunderland, David Le Marchand, ca. 1699

Anne Churchill, Countess of Sunderland

ca. 1699 · Nicht ausgestellt · Victoria and Albert Museum

King George I (b.1660; reigned 1714 - d. 1727), David Le Marchand, 1714-1720

King George I (b.1660; reigned 1714 - d. 1727)

1714-1720 · Nicht ausgestellt · Victoria and Albert Museum

Echoes of Amphora: Column Vessel I/20, Eleanor Lakelin, 2020

Eleanor Lakelin

Echoes of Amphora: Column Vessel I/20, 2020

Gladiators: Hector and Ajax (Combat), Leon Underwood, 1963

Leon Underwood

Gladiators: Hector and Ajax (Combat), 1963

Plaque, René Jules Lalique, 1937

René Lalique

Plaque, 1937

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

Emmeline Pankhurst, Arthur George Walker, ca. 1929

Arthur George Walker

Emmeline Pankhurst, ca. 1929

The Duchesse de Choiseul, Auguste Rodin, 1908

Auguste Rodin

The Duchesse de Choiseul, 1908

St Elizabeth, George James Frampton, 1902

George James Frampton

St Elizabeth, 1902

Hercules and the Nemean Lion, Nicolò Boldrini, after Raphael, c. 1566

Raphael

Hercules and the Nemean Lion, c. 1566

Nicht ausgestellt · National Gallery of Art

Prudence, Marcantonio Raimondi possibly after Raphael, c. 1513/1514

Raphael

Prudence, c. 1513/1514

Nicht ausgestellt · National Gallery of Art

The Small Lion Hunt (with One Lion), Rembrandt van Rijn, c. 1629

Rembrandt van Rijn

The Small Lion Hunt (with One Lion), c. 1629

Nicht ausgestellt · National Gallery of Art

The Small Lion Hunt (with Two Lions), Rembrandt van Rijn, c. 1632

Rembrandt van Rijn

The Small Lion Hunt (with Two Lions), c. 1632

Nicht ausgestellt · National Gallery of Art

The Large Lion Hunt, Rembrandt van Rijn, 1641

Rembrandt van Rijn

The Large Lion Hunt, 1641

Nicht ausgestellt · National Gallery of Art

Saint Jerome Reading in an Italian Landscape, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Saint Jerome Reading in an Italian Landscape, c. 1653

Nicht ausgestellt · National Gallery of Art

The Lion and the Gnat, Marc Chagall, 1927/1930

Marc Chagall

The Lion and the Gnat, 1927/1930

Nicht ausgestellt · National Gallery of Art

The Lion and the Hunter, Marc Chagall, 1927/1930

Marc Chagall

The Lion and the Hunter, 1927/1930

Nicht ausgestellt · National Gallery of Art

Was es zeigt

LionTimeOpportunityPenitence

Im Katalog

SkulpturElfenbeinBarock18. JahrhundertVereinigtes Königreich