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  3. Tightrope Walker I (Seiltänzer I)
Tightrope Walker I (Seiltänzer I), August Macke, (1913-14)
August Macke, PorträtAugust MackeDeutschland, 1887–1914

Tightrope Walker I (Seiltänzer I)

(1913-14) · Drawing

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Museum of Modern Art

New York City, Vereinigte Staaten

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Geprüft
vor 16 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

(1913-14)
18871914
Inventarnummer
142.1951

Im Katalog

Zeichnungen & AquarelleBleistiftModerne20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von August Macke

Das ganze Leben
  1. 1911

    The Blue Rider: three works in the first exhibition

    Macke founds the association of Expressionist artists Der Blaue Reiter together with Wassily Kandinsky, Alfred Kubin and Franz Marc; three of his works are shown at the Blue Rider exhibition in Munich in 1911.

  2. 1912

    Back to real life: the break with abstraction

    Abstraction remains an exception in Macke’s work: the metaphysical speculations that preoccupy the members of the group are alien to him, he is really interested in real life, and in 1912 he returns to the painting more natural to him. In his compositions he uses construction principles borrowed from the Cubists and the Blue Rider artists and is influenced by the Fauves and Delaunay’s Orphism, but always remains an independent master.

  3. 1914

    Tunisia with Klee and Moilliet: landmark watercolours

    In April 1914 Macke makes a two-week trip to Tunisia with Paul Klee and Klee’s school friend, the painter Louis Moilliet, and brings back a large number of landmark watercolours. The exotic atmosphere of Tunisia becomes fundamental to the luminist approach of his final period; the sketches and photographs will serve as material for “Tunisian Landscape”, “Landscape with Cows and a Camel” and other works, but Macke will not manage to use them fully.

  4. 8 August 1914

    Mobilisation: to the front as a reservist

    Almost immediately after the outbreak of the First World War, on 8 August 1914, Macke, a reservist, is called up for the front. Far, as Elisabeth wrote years later, from the “hurrah-patriotism” that seized many, he nevertheless considers it his duty to go; in his letters from the front he describes the horror and cruelty of the war.

  5. 26 September 1914

    Killed in battle at twenty-seven

    On the morning of 26 September 1914 Macke is killed in battle in Champagne at the age of 27; his remains are not found, and his name appears among those of other dead on a gravestone at the military cemetery at Souain (other accounts say he is buried in the German military cemetery at Souain-Perthes-lès-Hurlus). In one of his last letters he remarks that only the steadfastness of the defenders of the Western Front will spare Germany the devastation by war that the front-line regions of France have suffered.

  6. 26. September 1914

    Died

Mehr von August Macke

Alle Werke
People by the Blue Lake, August Macke, 1913

People by the Blue Lake

1913 · National Gallery of Art

Begrüssung (Greeting), August Macke

Begrüssung (Greeting)

Nicht ausgestellt · National Gallery of Art

Drei weibliche Akte, August Macke, 1902–1914

Drei weibliche Akte

1902–1914 · Museum Kunstpalast

Composition (3 Nudes) [Komposition (3 Akte)] (plate, preceding p. 79) from the periodical Das Kunstblatt, vol. 2, no. 4 (Apr 1918), August Macke, 1918 (executed 1912)

Composition (3 Nudes) [Komposition (3 Akte)] (plate, preceding p. 79) from the periodical Das Kunstblatt, vol. 2, no. 4 (Apr 1918)

1918 (executed 1912) · Nicht ausgestellt · Museum of Modern Art

Die Begrüßung, August Macke, 1912

Die Begrüßung

1912 · Museum Kunstpalast

Drei Mädchen und ein Reiter, August Macke, 1912

Drei Mädchen und ein Reiter

1912 · Albertina

Begrüßung, August Macke, 1912

Begrüßung

1912 · Museum Kunstpalast

Zwei Mädchen mit Korb, August Macke, 1912

Zwei Mädchen mit Korb

1912 · Museum Kunstpalast

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, 1889

Vincent van Gogh

Sternennacht, 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950