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  2. Museum of Modern Art/
  3. Three Relationship Studies: Shadow-Play, Imitations, Manipulations
Three Relationship Studies: Shadow-Play, Imitations, Manipulations, Vito Acconci, 1970
Vito Acconci, PorträtVito AcconciVereinigte Staaten, 1940–2017

Three Relationship Studies: Shadow-Play, Imitations, Manipulations

1970 · Video

Darf man es sehen?

Empfängt derzeit nicht

Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 8 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1970 · mit 30 Jahren
19402017
Inventarnummer
1157.2007.1-3

Im Katalog

Nachkriegskunst20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Vito Acconci

Das ganze Leben
  1. 1960s

    Marriage to the artist Rosemary Mayer

    In the 1960s Acconci is married to the artist Rosemary Mayer.

  2. late 1960s

    From poetry to performance and video

    Acconci transforms himself from a poet into a performance and video artist, with his own body as the subject of his photography, film, video and performance. Influenced by Situationism, he stages performances in the street or for small audiences that explore the body and public space.

  3. late 1960s

    The poetry magazine “0 TO 9”

    Acconci begins his career as a poet, editing and self-publishing the poetry magazine “0 TO 9” with Bernadette Mayer: produced on a mimeograph machine in 100 to 350 copies per issue, it mixes contributions by poets and artists.

  4. 1971

    The first critical article about him, in Arts Magazine

    Cindy Nemser becomes the first art critic to write about Acconci, for Arts Magazine; her later interview with him becomes the magazine's cover piece.

  5. 30. Juni 1972 – 8. Oktober 1972

    Exhibition: Documenta 5

Mehr von Vito Acconci

Alle Werke
Seedbed, Vito Acconci, 1972

Seedbed

1972 · Nicht ausgestellt · Museum of Modern Art

Fall, Vito Acconci, 1969

Fall

1969 · Nicht ausgestellt · National Gallery of Art

Blinks, Vito Acconci, 1969

Blinks

1969 · Nicht ausgestellt · National Gallery of Art

Private Piece for Seth Siegelaub (Nov. 22, 1969; city series), Vito Acconci, 1969

Private Piece for Seth Siegelaub (Nov. 22, 1969; city series)

1969 · Nicht ausgestellt · Museum of Modern Art

Walk: "Retrospect; Prospect", Vito Acconci, 1969

Walk: "Retrospect; Prospect"

1969 · Nicht ausgestellt · Museum of Modern Art

Following Piece, Vito Acconci, 1969

Following Piece

1969 · Nicht ausgestellt · Museum of Modern Art

Throw, Vito Acconci, 1969

Throw

1969 · Nicht ausgestellt · Museum of Modern Art

Following Piece, Vito Acconci, 1969

Following Piece

1969 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950