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  3. The Wedding Procession
The Wedding Procession, Antoine Watteau, c. 1712

The Wedding Procession

c. 1712 · Drawing

Angaben

c. 1712
16841721
Inventarnummer
2000.8.1

Derweil im Leben von Jean-Antoine Watteau

Das ganze Leben
  1. c. 1709 – 1710

    The dealer Sirois buys the camp pictures

    “The Departing Regiment” goes for a modest 60 livres to a man named Sirois, the father-in-law of Gersaint, and the money lets Watteau return to the home of his childhood. In Valenciennes he paints a number of small camp pictures; Sirois buys one of them, a camp-fire scene, again — this time for 200 livres.

  2. c. 1710

    Friendship with Antoine de La Roque

    In Valenciennes Watteau meets Antoine de La Roque, an officer in the king's mounted gendarmerie who is recovering from a serious wound. A man of letters and later for many years the editor of the Mercure de France, he becomes one of the painter's close friends.

  3. c. 1710

    The sculptor Pater entrusts his son to Watteau

    In Valenciennes Watteau meets the local sculptor Antoine-Joseph Pater, then forty. To Pater the 25-year-old Watteau is already a Paris celebrity, and he asks him to take under his wing his fifteen-year-old son Jean-Baptiste, a beginning painter.

  4. c. 1710

    Back to Paris, to the dealer Sirois

    After less than a year in Valenciennes, Watteau returns to Paris with his pupil Jean-Baptiste Pater and accepts an invitation from Pierre Sirois, the buyer of his military pictures, to move in with him and work for him.

  5. 30 July 1712

    Admitted to the Academy as an associate

    Watteau seeks admission to the Royal Academy of Painting and Sculpture. According to Gersaint, the academician Charles de La Fosse, having seen his work, urges him to apply and helps to get him accepted among the Academy's associate members.

Mehr von Jean-Antoine Watteau

Alle Werke

Nachbarn im Haus: National Gallery of Art

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Zum selben Thema · Holidays/festivals/parties

Alle Werke zum Thema
  • 1714

    Moves into the banker Crozat's mansion

    Through Sirois, Watteau finds a patron in the very wealthy banker and collector Pierre Crozat and, at his invitation, moves into Crozat's newly built Paris mansion. There he gains access to the celebrated collection and eagerly copies drawings by the great masters; next door lives the academician Charles de La Fosse, with whom he is on good terms.

  • Jean-Antoine Watteau, PorträtJean-Antoine WatteauFrankreich, 1684–1721

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    Zeichnungen & AquarelleKreideBarock18. JahrhundertFrenchRokoko

    Quellen

    • National Gallery of Art
    • Bild: National Gallery of Art — Museum open access
    Mezzetin, Antoine Watteau, ca. 1718–20

    Mezzetin

    ca. 1718–20 · Metropolitan Museum of Art

    November and December (part of a set illustrating the months of the year), Antoine Watteau, second quarter 18th century

    November and December (part of a set illustrating the months of the year)

    second quarter 18th century · Metropolitan Museum of Art

    January and February (part of a set illustrating the months of the year), Antoine Watteau, second quarter 18th century

    January and February (part of a set illustrating the months of the year)

    second quarter 18th century · Metropolitan Museum of Art

    L'Automne, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)

    L'Automne

    1e quart du XVIIIe siècle (1700 - 1725) · Louvre

    La Finette, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)

    La Finette

    1e quart du XVIIIe siècle (1700 - 1725) · Louvre

    Actors of the Comedie-Francaise, Jean-Antoine Watteau, 1710s

    Actors of the Comedie-Francaise

    1710s · Eremitage

    Landscape, Jean-Antoine Watteau, 1710s

    Landscape

    1710s · Eremitage

    Diane au bain, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1715 - 1716)

    Diane au bain

    1e quart du XVIIIe siècle (vers 1715 - 1716) · Louvre

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Bildnis der Ginevra de’ Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Junges Mädchen, vor einem Weizenfeld stehend, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Bauernhof in der Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Purim, Marc Chagall, 1917

    Marc Chagall

    Purim, 1917

    Nicht ausgestellt · National Gallery of Art

    Masked Ball at the Opera, Edouard Manet, 1873

    Édouard Manet

    Maskenball in der Oper, 1873

    National Gallery of Art

    The Doge Entertains Foreign Ambassadors at a Banquet, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Doge Entertains Foreign Ambassadors at a Banquet, 1763/1766

    Nicht ausgestellt · National Gallery of Art

    The Newly Elected Doge Presented to the People in San Marco, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Newly Elected Doge Presented to the People in San Marco, 1763/1766

    Nicht ausgestellt · National Gallery of Art

    The Doge Attends the Giovedi Grasso Festival in the Piazzetta, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Doge Attends the Giovedi Grasso Festival in the Piazzetta, 1763/1766

    Nicht ausgestellt · National Gallery of Art

    The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, 1763/1766

    Nicht ausgestellt · National Gallery of Art

    The Doge Carried around the Piazza San Marco, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Doge Carried around the Piazza San Marco, 1763/1766

    Nicht ausgestellt · National Gallery of Art

    Annual Visit of the Doge to Santa Maria della Salute, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    Annual Visit of the Doge to Santa Maria della Salute, 1763/1766

    Nicht ausgestellt · National Gallery of Art