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  3. The Seer
The Seer, Giorgio de Chirico, Paris, winter 1914-15
Giorgio de Chirico, PorträtGiorgio de ChiricoItalien, 1888–1978

The Seer

Paris, winter 1914-15 · Painting

Darf man es sehen?

Empfängt derzeit nicht

Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 8 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

Paris, winter 1914-15 · mit 26 Jahren
18881978
Inventarnummer
1214.1979

Im Katalog

GemäldeÖlItalienische MalereiModerne20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Giorgio de Chirico

Das ganze Leben
  1. 1912

    First shows at the Salon d'Automne

    From 1912 de Chirico takes part in the exhibitions of the Salon d'Automne: through his brother he meets Pierre Laprade, a member of the jury, and shows three works, among them “The Enigma of the Oracle” and a self-portrait.

  2. 1913

    The first sale: “The Red Tower”

    In 1913 de Chirico exhibits at the Salon des Indépendants and the Salon d'Automne; his work is noticed by Pablo Picasso and Guillaume Apollinaire, and “The Red Tower” becomes the first painting he sells.

  3. 1914

    A contract with the dealer Paul Guillaume

    In 1914, through Apollinaire, de Chirico meets the art dealer Paul Guillaume, with whom he signs a contract for his artistic output.

  4. May 1915

    Return to Italy and the hospital at Ferrara

    At the outbreak of the First World War de Chirico returns to Italy; on his arrival in May 1915 he enlists in the army but is considered unfit for work and assigned to the hospital at Ferrara. The shop windows of the town inspire a series of paintings featuring biscuits, maps and geometric constructions in indoor settings.

Mehr von Giorgio de Chirico

Alle Werke
The Scholar's Playthings, Giorgio de Chirico, 1917

The Scholar's Playthings

1917 · Minneapolis Institute of Art

The Serenity of the Scholar, Giorgio de Chirico, Paris, April-May 1914

The Serenity of the Scholar

Paris, April-May 1914 · Museum of Modern Art

Gare Montparnasse (The Melancholy of Departure), Giorgio de Chirico, Paris, early 1914

Gare Montparnasse (The Melancholy of Departure)

Paris, early 1914 · Museum of Modern Art

The Double Dream of Spring, Giorgio de Chirico, Paris, January-May 1915

The Double Dream of Spring

Paris, January-May 1915 · Museum of Modern Art

The Philosopher's Conquest, Giorgio de Chirico, 1913–14

The Philosopher's Conquest

1913–14 · Art Institute of Chicago

Untitled, Giorgio de Chirico, c. 1926

Untitled

c. 1926 · Art Institute of Chicago

Меланхолия поэта, Giorgio de Chirico, 20th century

Меланхолия поэта

20th century · Puschkin-Museum

The Nostalgia of the Infinite, Giorgio de Chirico, Paris 1912-13? (dated on painting 1911)

The Nostalgia of the Infinite

Paris 1912-13? (dated on painting 1911) · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950