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  3. The Reflecting Pool: Collected Works
The Reflecting Pool: Collected Works, Bill Viola, 1977–80
Bill Viola, PorträtBill ViolaVereinigte Staaten, 1951–2024

The Reflecting Pool: Collected Works

1977–80 · Film, Video, New Media

Darf man es sehen?

Empfängt derzeit nicht

Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

For over thirty years, Bill Viola has created single-channel videos as well as sound and video installations that focus on spirituality and explore multiple levels of human consciousness. In constructing these works, the artist draws from his extensive study of Eastern and Western art, philosophy, and religion. He also consistently deploys cutting-edge technologies, investigating new ways to manipulate viewers’ percep-tion. Both the videos in The Reflecting Pool and the installation Reasons for Knocking at an Empty House are important early works that foreshadow Viola’s later creations, combining philosophic inquiry with captivating physical environments.

Weiterlesen

The Reflecting Pool is a series comprising five individual videos, including Moonblood, that offer a collective meditation on the various stages in an individual life. The first work, also titled The Reflecting Pool, demonstrates the shift from stillness to motion as a fixed camera captures a man approaching a pool of water through trees and lush foliage. The only sounds are those of the branches rustling and the water rippling. The man momentarily stands before the pool before jumping into the air. As he reaches the crest of his jump, he is frozen in space while the water beneath him continues to undulate. There is a fleeting reflection of other people walking around the pool, although no one can be seen doing so. After a series of similar perceptual and temporal fragmentations, the man’s image fades, leaving only the pool. The final moments of the video are evocative of baptism, as a nude man emerges from the water and retreats into the woods.

In this series, Viola aims to deconstruct viewers’ concepts of time and memory, divorcing images from their subjective meaning and reconnecting them to universal truths. This process of fostering self-awareness is an undercurrent of the artist’s practice. He has remarked, “There’s another dimension that you just know is there, that can be a source of real knowledge, and the quest for connecting with that and identifying that is the whole impetus for me to cultivate these experiences and to make my work.”

In both The Reflecting Pool and Reasons for Knocking at an Empty House, the artist urges viewers to become active participants. Of his work, Viola stated, “You’re a part of it. It’s not something that’s just a fixed projection from the past.”

Art Institute of Chicago · CC BY 4.0

Angaben

1977–80 · mit 26 Jahren
19512024
Inventarnummer
1983.277

Im Katalog

Gegenwartskunst20. JahrhundertVereinigte Staaten

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — © the artist or rights holder

Mehr von Bill Viola

Alle Werke
Three Women, Bill Viola, 2008

Three Women

2008 · Minneapolis Institute of Art

The Space Between the Teeth, Bill Viola, 1976

The Space Between the Teeth

1976 · Nicht ausgestellt · Museum of Modern Art

Truth Through Mass Individuation, Bill Viola, 1976

Truth Through Mass Individuation

1976 · Nicht ausgestellt · Museum of Modern Art

Junkyard Levitation, Bill Viola, 1976

Junkyard Levitation

1976 · Nicht ausgestellt · Museum of Modern Art

Migration, Bill Viola, 1976

Migration

1976 · Nicht ausgestellt · Museum of Modern Art

Songs of Innocence, Bill Viola, 1976

Songs of Innocence

1976 · Nicht ausgestellt · Museum of Modern Art

The Reflecting Pool, Bill Viola, 1977-1979

The Reflecting Pool

1977-1979 · Nicht ausgestellt · Museum of Modern Art

Moonblood, Bill Viola, 1977-1979

Moonblood

1977-1979 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Art Institute of Chicago

Museumsseite
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Straße in Paris an einem regnerischen Tag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Auf der Terrasse, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942