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  1. Sammlung/
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  3. The Human Liberty Bell
The Human Liberty Bell, Mole & Thomas, 1918
MMole & ThomasVereinigte Staaten

The Human Liberty Bell

1918 · Photograph

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Empfängt derzeit nicht

Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

During World War I, commercial photographer Arthur Mole partnered with John Thomas to make a series of "living photographs," arranging thousands of soldiers into designs that created optical illusions of patriotic themes such as the American flag, a profile of Woodrow Wilson, and the Statue of Liberty. Completing these massive spectacles required a week or more of preparation. Mole and Thomas spent hours positioning the troops and constructed an enormous tower from which to photograph the arrangement. The "top" of these creations could be as far as a quarter mile from the camera, and the final composition only made sense from the camera's pseudo-aerial point of view. To make The Human Liberty Bell, the photographers employed 25,000 military personnel at Camp Dix, New Jersey, a training ground for the 78th Division of the National Army. The composition made each posing soldier into a piece of the patriotic message.

Art Institute of Chicago · CC BY 4.0

Angaben

Inventarnummer
2008.204

Im Katalog

FotografienSilbergelatineabzugModerne20. JahrhundertVereinigte Staaten

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — © the artist or rights holder

Mehr von Mole & Thomas

Alle Werke
U.S.N., Anchored to Democracy, Mole & Thomas, c. 1915

U.S.N., Anchored to Democracy

c. 1915 · Nicht ausgestellt · Art Institute of Chicago

Machine Gun Insignia. 22,500 Officers & Men; 600 Machine Guns; Machine Gun Training Centre; Camp Hancock, Augusta, GA.; Brig. Gen. Oliver Edwards Com'd'g; Lt. Col. E.P. Pierson Direction., Mole & Thomas, about 1918

Machine Gun Insignia. 22,500 Officers & Men; 600 Machine Guns; Machine Gun Training Centre; Camp Hancock, Augusta, GA.; Brig. Gen. Oliver Edwards Com'd'g; Lt. Col. E.P. Pierson Direction.

about 1918 · Nicht ausgestellt · J. Paul Getty Museum

Human Statue of Liberty. 18,000 Officers and Men at Camp Dodge, Des Moines, Ia. Col. Wm. Newman Commanding. Col. Rush S. Wells, Directing., Mole & Thomas, about 1918

Human Statue of Liberty. 18,000 Officers and Men at Camp Dodge, Des Moines, Ia. Col. Wm. Newman Commanding. Col. Rush S. Wells, Directing.

about 1918 · Nicht ausgestellt · J. Paul Getty Museum

The Living Uncle Sam. 19,000 Officers and Men. Camp Lee, VA. Major General, Omar Bundy, Com'd'g., Mole & Thomas, January 13, 1919

The Living Uncle Sam. 19,000 Officers and Men. Camp Lee, VA. Major General, Omar Bundy, Com'd'g.

January 13, 1919 · Nicht ausgestellt · J. Paul Getty Museum

Nachbarn im Haus: Art Institute of Chicago

Museumsseite
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Straße in Paris an einem regnerischen Tag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Auf der Terrasse, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942