Ensor, JamesBelgien, 1860–1949The Ghost
Darf man es sehen?
Empfängt derzeit nicht
Art Institute of Chicago
Chicago, Vereinigte Staaten
Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.
- Geprüft
- vor 6 Stunden
- Unverändert seit
- 19. Aug. 2026
- Quelle
- Sammlungsdaten des Museums selbst
Angaben
- Inventarnummer
- 1946.263
Im Katalog
Quellen
- Art Institute of Chicago: the museum's own open data · abgerufen vor 4 Tagen
- Bild: Art Institute of Chicago — © the artist or rights holder
Derweil im Leben von Ensor, James
Das ganze Leben1860–1949 · Wirkungsort
Ostend
1880s
Brief trips to France and the Netherlands
Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.
1883–1893 · Mitgliedschaft
Les XX
1887
Death of his father
His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).
1888–1892
Turning-point years: the Passion of Christ
Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.
