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  3. The Barge
The Barge, Georges Pierre Seurat, c. 1882-1883
Georges Seurat, PorträtGeorges SeuratFrankreich, 1859–1891

The Barge

c. 1882-1883 · Drawing

Angaben

c. 1882-1883
18591891
Inventarnummer
1978.33

Derweil im Leben von Georges Seurat

Das ganze Leben
  1. 1880–1882

    A studio with Aman-Jean and two years of monochrome drawing

    Back in Paris, Seurat shares a studio with his friend Aman-Jean while renting a small apartment at 16 rue de Chabrol; for the next two years he works at mastering the art of monochrome drawing and studies Eugène Delacroix carefully, making notes on his use of colour.

  2. 1880s

    Charles Henry's lectures at the Sorbonne

    In the 1880s Seurat hears lectures by the mathematician Charles Henry at the Sorbonne on the emotional properties and symbolic meaning of lines and colour; there remains controversy over how far he adopted Henry's ideas.

  3. 1880s

    The colour theorists: Chevreul, Rood, Blanc

    Seurat finds the idea of separate strokes of pure colour that blend optically in the viewer's eye in “Modern Chromatics” (1879) by the American physicist Ogden Rood and in the chemist Michel Eugène Chevreul's work on the law of simultaneous contrast of colours; according to his friends, his bedside book is Charles Blanc's “Grammaire des arts du dessin” (1867).

  4. 1 May – 20 June 1883

    First exhibited work: the portrait of Aman-Jean at the Salon

    Seurat's first exhibited work is a Conté crayon drawing of Edmond Aman-Jean shown at the Paris Salon of 1883; from that year until his death he exhibits at the Salon, the Salon des Indépendants, Les XX in Brussels and other shows.

  5. 1884

    Meeting Paul Signac

Mehr von Georges Seurat

Alle Werke

Im selben Saal · Gallery 3500, floor 3, Special Exhibitions Gallery, Harvard Art Museums

Museumsseite

At the first exhibition of the Groupe des Artistes Indépendants Seurat meets Paul Signac, a future follower of pointillism; Signac later wrote that “Bathers” is painted in broad flat strokes and looks less bright than the Impressionists' canvases, but that the systematic separation of light, shade and local colour gives it harmony.

  • 15 May – 30 June 1884

    The Salon rejects “Bathers”: a debut at the Indépendants

    The official Salon rejects “Bathers at Asnières”, and Seurat shows the painting instead at the Groupe des Artistes Indépendants, which runs from 15 May to 30 June 1884 — his debut as a painter.

  • Darf man es sehen?

    Ja, es empfängt Besucher

    Harvard Art Museums

    Cambridge, Vereinigte Staaten

    Saal3500, floor 3, Special Exhibitions Gallery

    Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

    Geprüft
    vor 3 Tagen
    Unverändert seit
    27. Sept. 2026
    Quelle
    Das Museum
    Auf der KarteMuseumsseite

    Im Katalog

    Zeichnungen & AquarelleBleistiftImpressionismus19. JahrhundertFrankreich

    Quellen

    • Harvard Art Museums
    • Bild: Harvard Art Museums — © President and Fellows of Harvard College
    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Ein Sonntagnachmittag auf der Insel La Grande Jatte

    1884–86, border added 1888–89 · Art Institute of Chicago

    Study for "A Sunday on La Grande Jatte", Georges Seurat, 1884

    Study for "A Sunday on La Grande Jatte"

    1884 · Metropolitan Museum of Art

    Circus Sideshow (Parade de cirque), Georges Seurat, 1887–88

    Parade de cirque

    1887–88 · Metropolitan Museum of Art

    Landscape at Saint-Ouen, Georges Seurat, 1878 or 1879

    Landscape at Saint-Ouen

    1878 or 1879 · Metropolitan Museum of Art

    The Forest at Pontaubert, Georges Seurat, 1881

    The Forest at Pontaubert

    1881 · Metropolitan Museum of Art

    A Man Leaning on a Parapet, Georges Seurat, ca. 1881

    A Man Leaning on a Parapet

    ca. 1881 · Metropolitan Museum of Art

    The Mower, Georges Seurat, 1881–82

    The Mower

    1881–82 · Metropolitan Museum of Art

    The Gardener, Georges Seurat, 1882–83

    The Gardener

    1882–83 · Metropolitan Museum of Art

    The Wood Chopper (Le coup de grace), Ferdinand Hodler, c. 1910

    Ferdinand Hodler

    The Wood Chopper (Le coup de grace), c. 1910

    Olive Trees, Corfu, John Singer Sargent, 1909

    John Singer Sargent

    Olive Trees, Corfu, 1909

    The Pond, Honfleur, France, Félix Vallotton, 1909

    Félix Edouard Vallotton

    The Pond, Honfleur, France, 1909

    Leuvehaven, Rotterdam (seen from the Leuvebrug on the Zeevischmarkt), Johan Hendrik van Mastenbroek, 1909

    Johan Hendrik van Mastenbroek

    Leuvehaven, Rotterdam (seen from the Leuvebrug on the Zeevischmarkt), 1909

    Sketchbook, Henri-Edmond Cross, 1897

    Henri Edmond Cross

    Sketchbook, 1897

    Sketchbook, Henri-Edmond Cross, 1897

    Henri Edmond Cross

    Sketchbook, 1897

    Landscape, Eragny, Camille Pissarro, 1890

    Camille Jacob Pissarro

    Landscape, Eragny, 1890

    Landscape with an Orange Tree, Claude Emile Schuffenecker, 1889-1891

    Claude Emile Schuffenecker

    Landscape with an Orange Tree, 1889-1891