Study for Frankenstein #1

1992 · Drawing

Darf man es sehen?

Empfängt derzeit nicht

Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft: vor 6 Tagen
Quelle: Sammlungsdaten des Museums selbst

Auf der Karte Museumsseite

Angaben

Inventarnummer: 219.1992

Quellen

Museum of Modern Art: the museum's own open data · abgerufen vor 13 Tagen
Bild: Museum of Modern Art — © the artist or rights holder

Alle Werke

Untitled: Four Etchings [A]

1992 · Minneapolis Institute of Art

Untitled: Four Etchings [C]

1992 · Minneapolis Institute of Art

Untitled: Four Etchings [B]

1992 · Minneapolis Institute of Art

Untitled: Four Etchings [D]

1992 · Minneapolis Institute of Art

Rückenfigur

2009 · Whitney Museum of American Art

Untitled (I Am a Man)

1988 · Nicht ausgestellt · National Gallery of Art

Untitled (There is a consciousness we all have...)

1988 · Nicht ausgestellt · Museum of Modern Art

Untitled (Well, I am one who doesn't believe in deluding myself. [Malcolm X])

1989 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Study for Frankenstein #1

Empfängt derzeit nicht

Angaben

Quellen

Mehr von Glenn Ligon

Untitled: Four Etchings [A]

Untitled: Four Etchings [C]

Untitled: Four Etchings [B]

Untitled: Four Etchings [D]

Rückenfigur

Untitled (I Am a Man)

Untitled (There is a consciousness we all have...)

Untitled (Well, I am one who doesn't believe in deluding myself. [Malcolm X])

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Study for Frankenstein #1

Empfängt derzeit nicht

Angaben

Quellen

Mehr von Glenn Ligon

Untitled: Four Etchings [A]

Untitled: Four Etchings [C]

Untitled: Four Etchings [B]

Untitled: Four Etchings [D]

Rückenfigur

Untitled (I Am a Man)

Untitled (There is a consciousness we all have...)

Untitled (Well, I am one who doesn't believe in deluding myself. [Malcolm X])

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950