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  3. Studies of Two Ploughs
Studies of Two Ploughs, John Constable, 02/11/1814

Studies of Two Ploughs

02/11/1814 · Oil painting · 17.2 × 26 cm

Über das Gemälde

This life study contrasts two different types of plough. You can see a heavy wheel plough at the bottom and a lighter swing plough at the top. Both reappear in finished paintings by Constable many years later.

Victoria and Albert Museum

Angaben

02/11/1814 · mit 38 Jahren
17761837
Inventarnummer
789-1888

Derweil im Leben von John Constable

Das ganze Leben
  1. 1816

    A marriage against the bride’s grandfather

    Maria’s grandfather, Dr Rhudde, rector of East Bergholt, opposed the match: he thought the Constables his social inferiors and threatened to disinherit her. Constable’s parents approved but offered no support until he was financially secure; they died soon afterwards, and he inherited a fifth share of the family business.

  2. October 1816

    A honeymoon by the sea

    After the wedding at St Martin-in-the-Fields, conducted by Fisher, the couple stayed at Fisher’s vicarage and toured the south coast. The sea at Weymouth and Brighton pushed Constable towards brilliant colour and lively brushwork.

  3. 2. Oktober 1816

    Married: Maria Bicknell

Mehr von John Constable

Alle Werke

Im selben Saal · Paintings, Room 88, The Edwin and Susan Davies Galleries, Victoria and Albert Museum

Museumsseite

Zum selben Thema · Ploughs

Alle Werke zum Thema
John Constable, PorträtJohn ConstableVereinigtes Königreich, 1776–1837

Darf man es sehen?

Ja, es empfängt Besucher

Victoria and Albert Museum

London, Vereinigtes Königreich

SaalPaintings, Room 88, The Edwin and Susan Davies Galleries

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 12 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

Ploughs

Im Katalog

GemäldeÖlBritische MalereiKlassizismusRomantik19. JahrhundertBritish SchoolGroßbritannien

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

Snow scene: the haunted house, Georg Emil Libert, 1848

Georg Emil Libert

Snow scene: the haunted house, 1848

Sunset on a bay, with castle ruins, Georg Emil Libert, 1848

Georg Emil Libert

Sunset on a bay, with castle ruins, 1848

Study of poppies, John Constable, ca. 1832

John Constable

Study of poppies, ca. 1832

Study of Foliage, John Constable, ca. 1828

John Constable

Study of Foliage, ca. 1828

A Donkey with a Foal: Study for <i>The Cornfield</i>, John Constable, ca. 1826

John Constable

A Donkey with a Foal: Study for <i>The Cornfield</i>, ca. 1826

On the edge of a wood, John Constable, ca. 1825

John Constable

On the edge of a wood, ca. 1825

A Windmill near Brighton, John Constable, 3 August 1824

John Constable

A Windmill near Brighton, 3 August 1824

Brighton Beach, with Fishing Boat and Crew, John Constable, 10/06/1824

John Constable

Brighton Beach, with Fishing Boat and Crew, 10/06/1824

Stoke-by-Nayland, John Constable, 1836

John Constable

Stoke-by-Nayland, 1836

Art Institute of Chicago

Ploughman leading his horses home in rain, the elder Julius Caesar Ibbetson, ca. 1770-1810

Julius Caesar Ibbetson

Ploughman leading his horses home in rain, ca. 1770-1810

Nicht ausgestellt · Victoria and Albert Museum

Breast Plough at Tresham, Wotton-under-Edge, Gloucestershire, Archibald Standish Hartrick, ca. 1940

Archibald Standish Hartrick

Breast Plough at Tresham, Wotton-under-Edge, Gloucestershire, ca. 1940

Nicht ausgestellt · Victoria and Albert Museum

Two warriors with Egyptian temples, Achille-Constant-Théodore-Emile Prisse d'Avennes, 19th century

Émile Prisse d'Avennes

Two warriors with Egyptian temples, 19th century

Nicht ausgestellt · Victoria and Albert Museum

One of seven sheets of drawings depicting implements and musical instruments., ca.1836

One of seven sheets of drawings depicting implements and musical instruments., ca.1836

Nicht ausgestellt · Victoria and Albert Museum

Landscape with Horses at Plough, and Figures, Peter Le Cave, 1806

Peter le Cave

Landscape with Horses at Plough, and Figures, 1806

Nicht ausgestellt · Victoria and Albert Museum

Syria.  Mode of Agriculture at the Foot of Mount Carmel, Cooper Willyams, 1799

Cooper Willyams

Syria. Mode of Agriculture at the Foot of Mount Carmel, 1799

Nicht ausgestellt · Victoria and Albert Museum