Savarin

1977–81 · Print

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Art Institute of Chicago

Chicago, Vereinigte Staaten

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This variation on the Savarin theme evokes Edvard Munch's masterful self-portrait in lithography (see 1963.281). The letters “E. M.”, at lower right, directly refer to him. As in the Munch print, Johns has included a ghostly arm in the bottom panel of the composition. The key difference, however, is that Johns has used the Savarin can in place of his own likeness.

Art Institute of ChicagoCC BY 4.0

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Inventarnummer: 1982.411

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Art Institute of Chicago: the museum's own open data · abgerufen vor 6 Tagen
Bild: Art Institute of Chicago — © the artist or rights holder

Derweil im Leben von Jasper Johns

Das ganze Leben

1967–1980
Artistic adviser to the Merce Cunningham Dance Company
Johns had long supported the Merce Cunningham Dance Company, helping to raise funds and attention and assisting Rauschenberg with set and costume designs in the 1950s, and from 1967 to 1980 he served as its artistic adviser.
1973–1987
A farmhouse with a glass-walled studio at Stony Point
From 1973 to 1987 Johns kept a rustic 1930s farmhouse with a glass-walled studio in Stony Point, New York.
1976
The book “Foirades/Fizzles” with Samuel Beckett
At the Atelier Crommelynck in Paris, where his intaglios were printed for Petersburg Press from 1975 to 1990, Johns collaborated with Samuel Beckett on Foirades/Fizzles, a book of five text fragments by Beckett in French and English with 33 intaglios by Johns.
24. Juni 1977 – 2. Oktober 1977
Exhibition: Documenta 6

Alle Werke