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Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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  3. Rosenbaum Grain Elevators, Chicago, IL
Rosenbaum Grain Elevators, Chicago, IL, Margaret Bourke-White, c. 1935
Margaret Bourke-White, PorträtMargaret Bourke-WhiteVereinigte Staaten, 1904–1971

Rosenbaum Grain Elevators, Chicago, IL

c. 1935 · Photograph

Darf man es sehen?

Empfängt derzeit nicht

Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 9 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

c. 1935
19041971
Inventarnummer
31.2026

Im Katalog

FotografienSilbergelatineabzugModerne20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Margaret Bourke-White

Das ganze Leben
  1. 1932–1934

    The Soviet series: newspaper, portfolio, photomurals

    The Soviet photographs run as a six-part series in The New York Times (1932), as a deluxe photo portfolio (1934) and as photomurals for the Soviet consulate in New York (1934); other frames circulate in exhibitions, books and periodicals around the globe, especially in Soviet magazines and postcards.

  2. 1934

    Photographs Dust Bowl drought victims for Fortune

    Like Dorothea Lange, she photographs the victims of the Dust Bowl drought. This Depression-era work marks the beginning of her shift from corporate photography to photojournalism.

  3. mid-1930s

    Meets Erskine Caldwell

    She meets the bestselling novelist, who wrote about the poor rural communities of the South. He invites her to collaborate on a photojournalistic expedition through the South, which will produce the book You Have Seen Their Faces.

  4. 1936

    The first woman photojournalist at Life

    When Henry Luce launches his third magazine, the photograph-centred Life, he hires her as its first female photojournalist. She is a staff photographer until 1940, returns to the magazine in 1941–1942 and again from 1945, and also starts its first photography laboratory.

  5. 1937

    The book “You Have Seen Their Faces”

    Her book with Erskine Caldwell, seventy-five photographs of the lives of poor rural sharecroppers in the American South, is a commercial success and one of the major documentary works of the time to draw attention to the needs of the South.

Mehr von Margaret Bourke-White

Alle Werke
Garden of Mrs. F. F. Prentis, Cleveland, Margaret Bourke-White, 1920s

Garden of Mrs. F. F. Prentis, Cleveland

1920s · Nicht ausgestellt · Museum of Modern Art

The Towering Smokestacks of the Otis Steel Co., Cleveland, Margaret Bourke-White, 1927-28

The Towering Smokestacks of the Otis Steel Co., Cleveland

1927-28 · Nicht ausgestellt · Museum of Modern Art

Workman Operating “Mud Gun” to Stop Up Tapping Hole of Blast Furnace, Otis Steel Co., Margaret Bourke-White, 1928

Workman Operating “Mud Gun” to Stop Up Tapping Hole of Blast Furnace, Otis Steel Co.

1928 · Nicht ausgestellt · National Gallery of Art

From The Terminal Tower, Cleveland, Margaret Bourke-White, c. 1928

From The Terminal Tower, Cleveland

c. 1928 · Nicht ausgestellt · Museum of Modern Art

Untitled, Margaret Bourke-White, 1929

Untitled

1929 · Nicht ausgestellt · Museum of Modern Art

The Steppe: Ukraine, Margaret Bourke-White, 1930

The Steppe: Ukraine

1930 · Nicht ausgestellt · National Gallery of Art

Mtskhet in the Caucasus: Ancient Capital of Georgia, Margaret Bourke-White, 1930–1932

Mtskhet in the Caucasus: Ancient Capital of Georgia

1930–1932 · Nicht ausgestellt · National Gallery of Art

For the Iron Mine Foundations: Magnet Mountain, Margaret Bourke-White, 1930–1932

For the Iron Mine Foundations: Magnet Mountain

1930–1932 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950