ART WIKI
Roman Rooftops, Joseph-Marie Vien, 1744/1750
Joseph Marie Vien, PorträtJoseph Marie VienFrankreich, 1716–1809

Roman Rooftops

1744/1750 · Drawing

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
Unverändert seit
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

Inventarnummer
1983.49.172

Was es zeigt

ItalienCityscapeRom

Im Katalog

Zeichnungen & AquarelleBleistiftRokoko18. JahrhundertFrench

Quellen

Mehr von Joseph Marie Vien

Alle Werke
L'Ermite endormi, Vien, Joseph-Marie, Milieu du XVIIIe siècle (1750)

L'Ermite endormi

Milieu du XVIIIe siècle (1750) · Louvre

Jeunes grecques parant de fleurs l'Amour endormi, Vien, Joseph-Marie, 3e quart du XVIIIe siècle (1773)

Jeunes grecques parant de fleurs l'Amour endormi

3e quart du XVIIIe siècle (1773) · Louvre

Amant couronnant sa maîtresse, Vien, Joseph-Marie, 3e quart du XVIIIe siècle (1773)

Amant couronnant sa maîtresse

3e quart du XVIIIe siècle (1773) · Louvre

Les Adieux d'Hector et d'Andromaque, Vien, Joseph-Marie, 4e quart du XVIIIe siècle (1786)

Les Adieux d'Hector et d'Andromaque

4e quart du XVIIIe siècle (1786) · Louvre

Sweet Melancholy, Joseph-Marie Vien, 1756

Sweet Melancholy

1756 · Cleveland Museum of Art

Venus mit Grazien auf einer von Fischen gezogenen Muschel, Joseph-Marie Vien

Venus mit Grazien auf einer von Fischen gezogenen Muschel

Albertina

Das Urteil des Paris, Joseph-Marie Vien

Das Urteil des Paris

Albertina

Die Erweckung des Lazarus, Joseph-Marie Vien

Die Erweckung des Lazarus

Albertina

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Italien

Alle Werke zum Thema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Nicht ausgestellt · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Nicht ausgestellt · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Nicht ausgestellt · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Nicht ausgestellt · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Nicht ausgestellt · National Gallery of Art