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  2. National Gallery of Art/
  3. River Stour, Suffolk
River Stour, Suffolk, David Lucas after John Constable, 1830
John Constable, PorträtJohn ConstableVereinigtes Königreich, 1776–1837

River Stour, Suffolk

1830 · Print

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1830 · mit 54 Jahren
17761837
Inventarnummer
2001.118.24

Was es zeigt

BaumFlussBootFiguresCloud

Im Katalog

DruckgrafikSchabkunstRomantik19. JahrhundertBritish

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access

Derweil im Leben von John Constable

Das ganze Leben
  1. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  2. after 1828

    Mezzotints for “English Landscape” with David Lucas

    Maria’s father, who died shortly before her, left her £20,000, and Constable spent it disastrously on mezzotints after his landscapes for a planned publication. With the engraver David Lucas he made forty prints, one going through thirteen proof stages, but too few subscribers came forward and the venture lost money.

  3. 2. Januar 1828

    Son born: Lionel Bicknell Constable

  4. 23 November 1828

    The death of his wife Maria

    After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.

  5. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  6. February 1829

    Elected to the Royal Academy at fifty-two

    In February 1829, three months after his wife’s death, Constable was elected a member of the Royal Academy, at the age of 52.

Mehr von John Constable

Alle Werke
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Baum

Alle Werke zum Thema
From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Nicht ausgestellt · National Gallery of Art

Young Oaks, Winter, Yosemite National Park, California, Ansel Adams, 1938, printed later

Ansel Adams

Young Oaks, Winter, Yosemite National Park, California, 1938, printed later

Nicht ausgestellt · National Gallery of Art

Trees and Houses Near the Jas de Bouffan, Paul Cézanne, 1885–86

Paul Cézanne

Trees and Houses Near the Jas de Bouffan, 1885–86

Metropolitan Museum of Art

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Art Institute of Chicago

The Flowering Orchard, Vincent van Gogh, 1888

Vincent van Gogh

The Flowering Orchard, 1888

Metropolitan Museum of Art

The Acrobats (Les saltimbanques), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Acrobats (Les saltimbanques), 1905, published 1913

Nicht ausgestellt · National Gallery of Art

L'atelier de Cannes (The Studio in Cannes), Pablo Picasso, 1955

Pablo Picasso

L'atelier de Cannes (The Studio in Cannes), 1955

Nicht ausgestellt · National Gallery of Art

The Acrobats (Les saltimbanques), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Acrobats (Les saltimbanques), 1905, published 1913

Nicht ausgestellt · National Gallery of Art