Reasons for Knocking at an Empty House

The haunting Reasons for Knocking at an Empty House contains a solitary wood chair with headphones attached, facing a television monitor. Viola, looking visibly fatigued, appears on the screen, sitting in his own chair. Here, the artist compels viewers into an intimate relationship: they sit at eye level with him, listening to the sound of his breathing through the headphones. The silence and tension in the installation is disrupted at irregular intervals by a dissonant, jarring sound that echoes throughout the gallery. At the same time, Viola is hit over the head with a magazine. Taken as a whole, the work suggests a scene of execution or torture, with its single chair and its haggard artist, sleep-deprived and assaulted while seated alone in an empty room.

In both The Reflecting Pool and Reasons for Knocking at an Empty House, the artist urges viewers to become active participants. Of his work, Viola stated, “You’re a part of it. It’s not something that’s just a fixed projection from the past.”