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  3. Plate for Jungle Boy
Plate for Jungle Boy, David Hockney, (1964)
David Hockney, PorträtDavid HockneyVereinigtes Königreich, 1937–2026

Plate for Jungle Boy

(1964) · Print

Darf man es sehen?

Empfängt derzeit nicht

Museum of Modern Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 9 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

(1964) · mit 27 Jahren
19372026
Inventarnummer
302.1985

Im Katalog

DruckgrafikNachkriegskunst20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von David Hockney

Das ganze Leben
  1. 1959–1962

    “New Contemporaries” alongside Peter Blake

    While still a student at the Royal College of Art, Hockney appears in the exhibition “New Contemporaries” alongside Peter Blake, which announced the arrival of British Pop art. He is associated with the movement, though his early works show expressionist elements similar to some of Francis Bacon’s.

  2. 1959–1962

    At the Royal College: Kitaj, Bowling, Stokoe

    At the Royal College of Art in London Hockney meets R. B. Kitaj, Frank Bowling and Neil Stokoe.

  3. 1962

    A diploma protest: “Life Painting for a Diploma”

    When the college said it would not let him graduate without a life drawing of a live model, Hockney painted “Life Painting for a Diploma” in protest: he had refused to write an essay required for the final examination and insisted on being assessed solely on his artworks. Recognising his talent and growing reputation, the college changed its regulations and awarded him a diploma.

  4. 1963

    First solo exhibition at Kasmin Limited

    At twenty-six Hockney has his first one-man show at Kasmin Limited.

  5. 1963–1964

    Moving to Los Angeles

    Hockney moves from Britain to Los Angeles, in 1964 by some accounts, in 1963 by others; the move is attributed to a more liberal political climate. There he is inspired to paint a series of swimming pools in vibrant acrylic, then a comparatively new medium.

  6. summer 1966

    Meeting Peter Schlesinger

    While teaching at UCLA, Hockney meets Peter Schlesinger, an art student who poses for paintings and drawings, and the two become romantically involved.

Mehr von David Hockney

Alle Werke
American Collectors (Fred and Marcia Weisman), David Hockney, 1968

American Collectors (Fred and Marcia Weisman)

1968 · Art Institute of Chicago

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Arrival (plate 1) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Arrival (plate 1) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Drinking Scene (plate 4) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Drinking Scene (plate 4) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

Meeting the Other People (plate 8) from A Rake's Progress, David Hockney, 1961–62, published 1963

Meeting the Other People (plate 8) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Seven Stone Weakling (plate 3a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Seven Stone Weakling (plate 3a) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950