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  1. Sammlung/
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  3. Peasant with a Hoe
Peasant with a Hoe, Georges Seurat, c. 1882

Peasant with a Hoe

c. 1882 · Painting

Angaben

c. 1882
18591891
Inventarnummer
2014.18.49

Derweil im Leben von Georges Seurat

Das ganze Leben
  1. 1880–1882

    A studio with Aman-Jean and two years of monochrome drawing

    Back in Paris, Seurat shares a studio with his friend Aman-Jean while renting a small apartment at 16 rue de Chabrol; for the next two years he works at mastering the art of monochrome drawing and studies Eugène Delacroix carefully, making notes on his use of colour.

  2. 1880s

    Charles Henry's lectures at the Sorbonne

    In the 1880s Seurat hears lectures by the mathematician Charles Henry at the Sorbonne on the emotional properties and symbolic meaning of lines and colour; there remains controversy over how far he adopted Henry's ideas.

  3. 1880s

    The colour theorists: Chevreul, Rood, Blanc

    Seurat finds the idea of separate strokes of pure colour that blend optically in the viewer's eye in “Modern Chromatics” (1879) by the American physicist Ogden Rood and in the chemist Michel Eugène Chevreul's work on the law of simultaneous contrast of colours; according to his friends, his bedside book is Charles Blanc's “Grammaire des arts du dessin” (1867).

  4. 1 May – 20 June 1883

    First exhibited work: the portrait of Aman-Jean at the Salon

    Seurat's first exhibited work is a Conté crayon drawing of Edmond Aman-Jean shown at the Paris Salon of 1883; from that year until his death he exhibits at the Salon, the Salon des Indépendants, Les XX in Brussels and other shows.

  5. 1884

    Meeting Paul Signac

Mehr von Georges Seurat

Alle Werke

Nachbarn im Haus: National Gallery of Art

Museumsseite

Zum selben Thema · Agricultural

Alle Werke zum Thema

At the first exhibition of the Groupe des Artistes Indépendants Seurat meets Paul Signac, a future follower of pointillism; Signac later wrote that “Bathers” is painted in broad flat strokes and looks less bright than the Impressionists' canvases, but that the systematic separation of light, shade and local colour gives it harmony.

  • 15 May – 30 June 1884

    The Salon rejects “Bathers”: a debut at the Indépendants

    The official Salon rejects “Bathers at Asnières”, and Seurat shows the painting instead at the Groupe des Artistes Indépendants, which runs from 15 May to 30 June 1884 — his debut as a painter.

  • Georges Seurat, PorträtGeorges SeuratFrankreich, 1859–1891

    Darf man es sehen?

    Empfängt derzeit nicht

    National Gallery of Art

    Washington, D.C., Vereinigte Staaten

    Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

    Geprüft
    vor 3 Tagen
    Unverändert seit
    19. Aug. 2026
    Quelle
    Das Museum
    Auf der KarteMuseumsseite

    Was es zeigt

    AgriculturalHoeingAgricultural Worker

    Im Katalog

    GemäldeÖlFranzösische MalereiImpressionismus19. JahrhundertFrench

    Quellen

    • National Gallery of Art
    • Bild: National Gallery of Art — Museum open access
    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Ein Sonntagnachmittag auf der Insel La Grande Jatte

    1884–86, border added 1888–89 · Art Institute of Chicago

    Study for "A Sunday on La Grande Jatte", Georges Seurat, 1884

    Study for "A Sunday on La Grande Jatte"

    1884 · Metropolitan Museum of Art

    Circus Sideshow (Parade de cirque), Georges Seurat, 1887–88

    Parade de cirque

    1887–88 · Metropolitan Museum of Art

    Landscape at Saint-Ouen, Georges Seurat, 1878 or 1879

    Landscape at Saint-Ouen

    1878 or 1879 · Metropolitan Museum of Art

    The Forest at Pontaubert, Georges Seurat, 1881

    The Forest at Pontaubert

    1881 · Metropolitan Museum of Art

    A Man Leaning on a Parapet, Georges Seurat, ca. 1881

    A Man Leaning on a Parapet

    ca. 1881 · Metropolitan Museum of Art

    The Mower, Georges Seurat, 1881–82

    The Mower

    1881–82 · Metropolitan Museum of Art

    The Gardener, Georges Seurat, 1882–83

    The Gardener

    1882–83 · Metropolitan Museum of Art

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Bildnis der Ginevra de’ Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Junges Mädchen, vor einem Weizenfeld stehend, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Bauernhof in der Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Haymakers at Montfermeil, Georges Seurat, c. 1882

    Georges Seurat

    Haymakers at Montfermeil, c. 1882

    Nicht ausgestellt · National Gallery of Art

    Man with a Hoe, Georges Seurat, c. 1882

    Georges Seurat

    Man with a Hoe, c. 1882

    Nicht ausgestellt · National Gallery of Art

    The Stone Breaker, Georges Seurat, c. 1882

    Georges Seurat

    The Stone Breaker, c. 1882

    Nicht ausgestellt · National Gallery of Art

    Landscape, Ile-de-France, Camille Pissarro, 1873

    Camille Jacob Pissarro

    Landscape, Ile-de-France, 1873

    National Gallery of Art

    Gathering Leaves (Raccoglitrice di foglie), Giovanni Fattori, c. 1887

    Giovanni Fattori

    Gathering Leaves (Raccoglitrice di foglie), c. 1887

    Nicht ausgestellt · National Gallery of Art

    The Binder (Le botteleur), Aimé-Jules Dalou, model c. 1894, cast c. 1907/1934

    Aimé-Jules Dalou

    The Binder (Le botteleur), model c. 1894, cast c. 1907/1934

    Nicht ausgestellt · National Gallery of Art

    Labor, Will Barnet, 1935

    Melvin Browner

    Labor, 1935

    Nicht ausgestellt · National Gallery of Art

    Shepherd with His Flock, Jean-Victor Bertin, c. 1820

    Jean-Victor Bertin

    Shepherd with His Flock, c. 1820

    Nicht ausgestellt · National Gallery of Art