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  3. Open Air School
Open Air School, Diego Rivera, 1932
Diego Rivera, PorträtDiego RiveraMexiko, 1886–1957

Open Air School

1932 · Print

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Museum of Modern Art

New York City, Vereinigte Staaten

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Geprüft
vor 9 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1932 · mit 46 Jahren
18861957
Inventarnummer
1561.1940

Im Katalog

DruckgrafikLithografieModerne20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Diego Rivera

Das ganze Leben
  1. November 1930

    Arriving in San Francisco with Frida Kahlo

    In September 1930 Rivera accepted architect Timothy Pflueger's commission for two works connected with his design projects in San Francisco, and in November he and Kahlo came to the city, living and working in the studio of the sculptor Ralph Stackpole, who had recommended Rivera to Pflueger.

  2. 1930s

    Asylum for Leon Trotsky

    Rivera obtained from President Lázaro Cárdenas asylum in Mexico for the political exile Leon Trotsky and sheltered him and his wife Natalia Sedova in his own house; later a conflict arose between them.

  3. November 1931

    Retrospective at the Museum of Modern Art

    In November 1931 the Museum of Modern Art in New York mounted a retrospective of Rivera's work, which Frida Kahlo attended with him; it took place shortly before he began the Detroit murals.

  4. 1933

    A scandal over the portrait of Lenin

    Rockefeller's son, the press and part of the public protested against the portrait of Lenin and the mural's pro-worker Marxist content; when Rivera refused to remove Lenin he was ordered to leave the United States.

  5. December 1933

    Return to Mexico from the United States

    In December 1933 Rivera returned to Mexico, after being ordered to leave the United States for refusing to remove Lenin from the mural.

  6. 1934

    The Rockefeller Center mural is destroyed

    In 1934 the board of Rockefeller Center decided to destroy the fresco after Rivera refused to replace the portrait of Lenin with the face of an unknown man.

Mehr von Diego Rivera

Alle Werke
The Café Terrace, Diego Rivera, 1915

The Café Terrace

1915 · Metropolitan Museum of Art

Cubist Landscape, Diego Rivera, 1912

Cubist Landscape

1912 · Museum of Modern Art

Young Man in a Gray Sweater (Jacques Lipchitz), Diego Rivera, Paris 1914

Young Man in a Gray Sweater (Jacques Lipchitz)

Paris 1914 · Museum of Modern Art

No. 9, Nature Morte Espagnole, Diego Rivera, 1915

No. 9, Nature Morte Espagnole

1915 · National Gallery of Art

Portrait of Marevna, Diego Rivera, c. 1915

Portrait of Marevna

c. 1915 · Art Institute of Chicago

Weaving, Diego Rivera, 1936

Weaving

1936 · Art Institute of Chicago

Dead Horse, Diego Rivera, 1906

Dead Horse

1906 · Nicht ausgestellt · Museum of Modern Art

Montserrat, Diego Rivera, 1911

Montserrat

1911 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950