On the Road

L'Automne

XIXe siècle (1800 - 1900) · Louvre

Cows Crossing a Ford

1836 · Metropolitan Museum of Art

The Pond

1837 · Minneapolis Institute of Art

Landscape with Cattle at Limousin

1837 · Metropolitan Museum of Art

L'abreuvoir et le grand chêne

Milieu du XIXe siècle (1840 - 1860) · Louvre

La Mare

XIXe siècle (Vers 1850) (1850) · Louvre

Landscape with Cows

19th century · Nicht ausgestellt · Eremitage

Лесной пруд. Эскиз

first half of the 19th century · Puschkin-Museum

Vincent van Gogh

The Bedroom, 1889

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Gustave Caillebotte

Straße in Paris an einem regnerischen Tag, 1877

Pierre-Auguste Renoir

Auf der Terrasse, 1881

Paul Cézanne

The Basket of Apples, c. 1893

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

Grant Wood

American Gothic, 1930

Edward Hopper

Nighthawks, 1942

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

Nicht ausgestellt · National Gallery of Art

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

Nicht ausgestellt · National Gallery of Art

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Nicht ausgestellt · National Gallery of Art

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

Nicht ausgestellt · National Gallery of Art

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

Nicht ausgestellt · National Gallery of Art

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

Nicht ausgestellt · National Gallery of Art

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Nicht ausgestellt · National Gallery of Art

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

Nicht ausgestellt · National Gallery of Art