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  3. Be Be (The Nativity)
Be Be (The Nativity), Paul Gauguin, 1896

Be Be (The Nativity)

1896 · Painting · 67 × 76.5 cm

Über das Gemälde

In den Worten des Museums — auf Russisch

Во времена пребывания Гогена на Таити Рождество было уже вполне сформировавшимся праздником, обогащенным местными традициями и колоритом. Мотив Богоматери и Младенца органично вписался в жизнь островитян, которые священным считали каждое рождение нового человека. Своим полотнам художник старался давать названия на полинезийском языке, хотя хорошо им так и не овладел. «Be Be» можно перевести как «рождество», «быть», «будущее», а можно услышать в этих двух слогах звукоподражание: блеют животные в хлеву, а может это молодая мать повторяет на французском языке слово «младенец» — «le bébé». Композиция предельно проста и даже иллюстративна — боком к зрителю расположилась жена Гогена Пахура — она держит ребёнка, а рядом стоит ангел. Все происходит в хлеву, как будто в библейские времена.

Weiterlesen

Зная детали биографии Гогена, мы предвосхищаем трагический исход — слабенький ребенок умрет, не прожив и 10 дней, а фигура ангела — это скорее фигура смерти. Гоген, очевидно, проводит параллель между болью Богоматери, знающей будущую судьбу Младенца, и собственным горьким ощущением близкой потери новорожденного.

Eremitage

Angaben

1896 · mit 48 Jahren

Derweil im Leben von Paul Gauguin

Das ganze Leben
  1. 1891–1901 · Wirkungsort

    Tahiti

  2. November 1894

    Exhibition at Durand-Ruel

    The exhibition at the Durand-Ruel gallery had moderate success: 11 of the 40 paintings shown were sold at fairly high prices; soon afterwards, however, Gauguin lost Durand-Ruel's patronage.

  3. February – April 1895

    Failed Auction and the Oviri Scandal

    In February 1895 Gauguin tried to repeat the Hôtel Drouot auction, but without success; in April he submitted the large ceramic sculpture Oviri to the salon of the Société Nationale des Beaux-Arts, whose reception caused a scandal, and wrote an indignant letter on the state of modern ceramics in Le Soir.

  4. 28 June 1895

    Final Departure for Oceania

    On 28 June 1895 Gauguin sailed once more for Tahiti — Eugène Carrière arranged cheap passage for him — arriving in September; he never saw Europe again. He spent the next six years mostly near Papeete, building a spacious house at Punaauia.

  5. April 1897

    News of the Death of His Daughter Aline

    In April 1897 Gauguin received news that his beloved daughter Aline had died of pneumonia; the same month he learned that he had to vacate his house, and, taking out a bank loan for a new one, by the end of the year he was on the brink of ruin and despair.

  6. c. 1898

Mehr von Paul Gauguin

Alle Werke

Im selben Saal · Зал 412, Eremitage

Museumsseite
18481903
Inventarnummer
ГЭ-6568

Quellen

  • Eremitage
  • Bild: Eremitage — Museum open access

Suicide Attempt

After finishing Where Do We Come From? What Are We? Where Are We Going?, Gauguin attempted suicide by taking arsenic, but the dose proved too large, and a violent fit of vomiting saved his life.

Paul Gauguin, PorträtPaul GauguinFrankreich, 1848–1903

Darf man es sehen?

Ja, es empfängt Besucher

Eremitage

Sankt Petersburg, Russland

Saal412

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
29. Aug. 2026
Unverändert seit
30. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite
Tahitian Landscape, Paul Gauguin, 1891

Tahitian Landscape

1891 · Minneapolis Institute of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Gegrüßt seist du, Maria

1891 · Metropolitan Museum of Art

Emile Gauguin (1874–1955), the artist's son, Paul Gauguin, ca. 1877–78

Emile Gauguin (1874–1955), the artist's son

ca. 1877–78 · Metropolitan Museum of Art

Madame Alexandre Kohler, Paul Gauguin, 1887/1888

Madame Alexandre Kohler

1887/1888 · National Gallery of Art

Breton Girls Dancing, Pont-Aven, Paul Gauguin, 1888

Breton Girls Dancing, Pont-Aven

1888 · National Gallery of Art

Still Life with Three Puppies, Paul Gauguin, 1888

Still Life with Three Puppies

1888 · Museum of Modern Art

Walking stick with a female nude and a Breton sabot on the handle, Paul Gauguin, ca. 1888–90

Walking stick with a female nude and a Breton sabot on the handle

ca. 1888–90 · Metropolitan Museum of Art

Pair of Wooden Shoes (Sabots) [left], Paul Gauguin, 1889/1890

Pair of Wooden Shoes (Sabots) [left]

1889/1890 · National Gallery of Art

Sunflowers, Paul Gauguin, 1901

Paul Gauguin

Sunflowers, 1901

Three Tahitian Women Against a Yellow Background, Paul Gauguin, 1899

Paul Gauguin

Three Tahitian Women Against a Yellow Background, 1899

Month of Mary (Te avae no Maria), Paul Gauguin, 1899

Paul Gauguin

Month of Mary (Te avae no Maria), 1899

Women on the Seashore (Motherhood), Paul Gauguin, 1899

Paul Gauguin

Women on the Seashore (Motherhood), 1899

Rave te hiti aamu (The Idol), Paul Gauguin, 1898

Paul Gauguin

Rave te hiti aamu (The Idol), 1898

Man Picking Fruit from a Tree, Paul Gauguin, 1897

Paul Gauguin

Man Picking Fruit from a Tree, 1897

Landscape with Two Goats (Tarari Maruru), Paul Gauguin, 1897

Paul Gauguin

Landscape with Two Goats (Tarari Maruru), 1897

Scene from Tahitian Life, Paul Gauguin, 1896

Paul Gauguin

Scene from Tahitian Life, 1896

Im Katalog

GemäldeÖlFranzösische MalereiImpressionismus19. JahrhundertFrankreich