Maria Zambaco, Dante Gabriel Rossetti, late 1860s
Dante Gabriel Rossetti, PorträtDante Gabriel RossettiEngland, 1828–1882

Maria Zambaco

late 1860s · Drawing · 51.6 × 38.9 cm

Kann ich es sehen?

Derzeit nicht ausgestellt

Wo ist „Maria Zambaco“ heute? Sammlung: Victoria and Albert Museum, London. Derzeit nicht ausgestellt. Geprüft 25. September 2026.

Victoria and Albert Museum

London, Vereinigtes Königreich

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

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Über das Werk

Maria Zambaco, born Maria Cassavetti, left her husband in Paris in 1866 and became a leading light in London's Greek community. She sat regularly for several artists, including Burne-Jones, to whom she became romantically attached. She also sat for Rossetti. This portrait of her, with her expressive eyes and lips, soft skin and rich, auburn-tinted brown hair, demonstrates his mastery of the use of soft chalks. He used soft chalks increasingly in preference to the more cumbersome medium of oil paint.

Victoria and Albert Museum

Angaben

Inventarnummer
CAI.1149

Was es zeigt

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Quellen

Im Leben von Dante Gabriel Rossetti

Das ganze Leben
  1. c. 1860

    A new course: powerful close-ups of women

    Around 1860 Rossetti returned to oil painting, abandoning the dense medieval compositions of the 1850s in favour of powerful close-up images of women in flat pictorial spaces of dense colour; these drew not on medievalism but on the Venetian High Renaissance artists Titian and Veronese, and became a major influence on European Symbolism.

  2. 1861

    Founding partner of Morris, Marshall, Faulkner & Co.

    In 1861 Rossetti, together with Morris, Burne-Jones, Ford Madox Brown, Philip Webb, Charles Faulkner and Peter Paul Marshall, became a founding partner of the decorative arts firm Morris, Marshall, Faulkner & Co., contributing designs for stained glass and other decorative objects.

  3. May 1861

    A stillborn child

    In May 1861 Elizabeth gave birth to a stillborn child; her health was finally broken and she began to take laudanum in large quantities.

  4. 11 February 1862

    Death of Elizabeth Siddal and his manuscripts in her grave

    On 11 February 1862, two years after the wedding, Elizabeth Siddal died of an overdose of laudanum, the alcoholic tincture of opium; Rossetti sank ever deeper into depression and, when she was buried at Highgate Cemetery, interred the bulk of his unpublished poems with her, though he later had them dug up.

  5. 1869–1874

    Kelmscott Manor: a summer house and a retreat

    In 1869 Morris and Rossetti rented Kelmscott Manor at Kelmscott, Oxfordshire, as a summer home, but it became a retreat for Rossetti and Jane Morris: they spent summers there with the Morrises’ children while William Morris travelled to Iceland in 1871 and 1873.

  6. 1871

    Love for Jane Morris

    In 1871 Rossetti fell in love again — with Jane, the wife of his friend William Morris; they became lovers, and Jane sat for him often.

Alle Werke

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