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  3. Marcelle la Blonde
Marcelle la Blonde, Juan Gris, 1921
Juan Gris, PorträtJuan GrisSpanien, 1887–1927

Marcelle la Blonde

1921 · Drawing and Watercolor

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Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

Gris met the celebrated blonde beauty Marcelle Brun while vacationing in the French Riviera, where they enjoyed lavish dinners and sometimes danced until three in the morning. Gris completed several portraits of his acquaintances during this time. All of the graphite portraits were bust-length, three-quarter views of the sitter, with single, continuous lines used to represent their facial features. Here, you can trace a line from Brun’s left eye, down the left side of her nose, to the top of her lip.

Art Institute of Chicago · CC BY 4.0

Angaben

1921 · mit 34 Jahren
18871927
Inventarnummer
2013.946

Im Katalog

Zeichnungen & AquarelleBleistiftModerne20. JahrhundertSpanien

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — © the artist or rights holder

Derweil im Leben von Juan Gris

Das ganze Leben
  1. 1910s–1920s

    The pupil Picasso “wished away”

    Gris regarded Picasso as a teacher, but according to Gertrude Stein in The Autobiography of Alice B. Toklas, Picasso treated him with undisguised irritation: Gris was the only person Picasso wished away. At first Gris was spoken of only as Picasso’s follower, but when he became an independent artist and one of the leaders of Cubism, Picasso grew jealous.

  2. 1919

    His first solo exhibition, in Paris

    Gris’s first solo exhibition took place in Paris in 1919.

  3. 1919–1920

    Critics begin to write about “synthetic” Cubism

    In 1919 and particularly 1920, artists and critics began to write conspicuously about this “synthetic” approach and to assert its importance in the overall scheme of advanced Cubism.

  4. 1922–1924

    Working with Diaghilev and the Ballets Russes

    From 1922 to 1924 he worked with Sergei Diaghilev and his ballet company; in 1924 he designed sets and costumes for the Ballets Russes.

  5. 1923

    Major exhibitions in Paris and Berlin

    In 1923 major exhibitions of Gris’s work took place at the Galerie Simon in Paris and the Galerie Flechtheim in Berlin.

Mehr von Juan Gris

Alle Werke
Portrait of Pablo Picasso, Juan Gris, January–February 1912

Portrait of Pablo Picasso

January–February 1912 · Art Institute of Chicago

Jar, Bottle and Glass, Juan Gris, 1911

Jar, Bottle and Glass

1911 · Museum of Modern Art

Still Life with Flowers, Juan Gris, 1912

Still Life with Flowers

1912 · Museum of Modern Art

Grapes, Juan Gris, October 1913

Grapes

October 1913 · Museum of Modern Art

Pears and Grapes on a Table, Juan Gris, Céret, autumn 1913

Pears and Grapes on a Table

Céret, autumn 1913 · Metropolitan Museum of Art

Fantômas, Juan Gris, 1915

Fantômas

1915 · National Gallery of Art

Still Life, Juan Gris, 1917

Still Life

1917 · Minneapolis Institute of Art

Seated Harlequin, Juan Gris, c. 1920

Seated Harlequin

c. 1920 · Minneapolis Institute of Art

Nachbarn im Haus: Art Institute of Chicago

Museumsseite
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Straße in Paris an einem regnerischen Tag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Auf der Terrasse, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942