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Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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  1. Sammlung/
  2. National Gallery of Art/
  3. Maquette for "Atom Piece"
Maquette for "Atom Piece", Henry Moore, 1964, cast 1970
Henry Moore, PorträtHenry MooreEngland, 1898–1986

Maquette for "Atom Piece"

1964, cast 1970 · Sculpture

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1964, cast 1970
18981986
Inventarnummer
1991.55.1

Was es zeigt

Non-representational

Im Katalog

SkulpturBronzeNachkriegskunst20. JahrhundertBritish

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von Henry Moore

Das ganze Leben
  1. 1940–1986

    A bomb in Hampstead: the move to Hoglands

    In September 1940 bomb shrapnel hit the Moores’ Hampstead home and they left London for Hoglands, a farmhouse in the hamlet of Perry Green near Much Hadham in Hertfordshire. It remained Moore’s home and workshop for the rest of his life; though he grew wealthy he never felt the need to move to larger premises.

  2. 28. Juni 1964 – 6. Oktober 1964

    Exhibition: Documenta III

  3. 1968 · Auszeichnung

    Erasmus Prize

  4. 1971–1974

    A gift to Toronto: the Henry Moore Sculpture Centre

    In 1974 the Henry Moore Sculpture Centre opened at the Art Gallery of Ontario in Toronto, the world’s largest public collection of Moore’s work, most of it donated by him between 1971 and 1974.

  5. summer 1972

    An exhibition at the Forte di Belvedere, Florence

    In the summer of 1972 a major retrospective of Moore’s work was held in the grounds of the Forte di Belvedere overlooking Florence, one of several large shows held around the world in the last three decades of his life.

  6. 1972–1977

    The Henry Moore Trust and Foundation

    As his wealth grew Moore worried about his legacy, and with the help of his daughter Mary set up the Henry Moore Trust in 1972 to protect his estate from death duties. By 1977 he was paying nearly a million pounds a year in income tax and established the Henry Moore Foundation as a charity, with Irina and Mary as trustees, to encourage public appreciation of the visual arts and especially of his own work.

Mehr von Henry Moore

Alle Werke
Helmet Head Number 1, Henry Moore, 1950

Helmet Head Number 1

1950 · Museum of Modern Art

Three Motives Against Wall, Number 1, Henry Moore, 1958

Three Motives Against Wall, Number 1

1958 · National Gallery of Art

Seated Woman, Henry Moore, designed 1958–1959; cast 1975

Seated Woman

designed 1958–1959; cast 1975 · J. Paul Getty Museum

Stone Memorial, Henry Moore, 1961/1969

Stone Memorial

1961/1969 · National Gallery of Art

Knife Edge Mirror Two Piece, Henry Moore, 1976-1978

Knife Edge Mirror Two Piece

1976-1978 · National Gallery of Art

Bronze Form, Henry Moore, 1985

Bronze Form

1985 · J. Paul Getty Museum

Warrior with Shield, Henry Moore, 1953–54

Warrior with Shield

1953–54 · Minneapolis Institute of Art

Helmet Head, Henry Moore, 1952

Helmet Head

1952 · Cleveland Museum of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Non-representational

Alle Werke zum Thema
Sixth Knot, after Leonardo da Vinci, c. 1490/1500

Leonardo da Vinci

Sixth Knot, c. 1490/1500

Nicht ausgestellt · National Gallery of Art

Composition en trois couleurs (Composition in Three Colors), Pablo Picasso, 1947

Pablo Picasso

Composition en trois couleurs (Composition in Three Colors), 1947

Nicht ausgestellt · National Gallery of Art

A Glass on a Table, Pablo Picasso, 1913

Pablo Picasso

A Glass on a Table, 1913

Nicht ausgestellt · National Gallery of Art

Composition, Pablo Picasso, 1946

Pablo Picasso

Composition, 1946

Nicht ausgestellt · National Gallery of Art

Mao, Andy Warhol, 1973

Andy Warhol

Mao, 1973

Nicht ausgestellt · National Gallery of Art

The Heart, Henri Matisse, published 1947

Henri Matisse

The Heart, published 1947

Nicht ausgestellt · National Gallery of Art

The Nightmare of the White Elephant, Henri Matisse, published 1947

Henri Matisse

The Nightmare of the White Elephant, published 1947

Nicht ausgestellt · National Gallery of Art

The Codomas, Henri Matisse, published 1947

Henri Matisse

The Codomas, published 1947

Nicht ausgestellt · National Gallery of Art