M. Ampere

1973 · Print

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New York City, Vereinigte Staaten

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Inventarnummer: 1691.2015

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Druckgrafik Lithografie Nachkriegskunst 20. Jahrhundert

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Museum of Modern Art: the museum's own open data · abgerufen vor 14 Tagen
Bild: Museum of Modern Art — © the artist or rights holder

Alle Werke

Untitled

1965 · Art Institute of Chicago

Untitled

1965 · Nicht ausgestellt · Museum of Modern Art

Reproduction Proof of "Self Portrait as Fountain"

1966 · Nicht ausgestellt · National Gallery of Art

Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body

1966 · Nicht ausgestellt · Museum of Modern Art

Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists

1966 · Nicht ausgestellt · Museum of Modern Art

Walking in an Exaggerated Manner Around the Perimeter of a Square

1967-68 · Nicht ausgestellt · Museum of Modern Art

Violin Film #1 (Playing The Violin As Fast As I Can)

1967-1968 · Nicht ausgestellt · Museum of Modern Art

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black

1967-1968 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Museum of Modern Art

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Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

M. Ampere

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Mehr von Bruce Nauman

Untitled

Untitled

Reproduction Proof of "Self Portrait as Fountain"

Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body

Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists

Walking in an Exaggerated Manner Around the Perimeter of a Square

Violin Film #1 (Playing The Violin As Fast As I Can)

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

M. Ampere

Empfängt derzeit nicht

Angaben

Im Katalog

Quellen

Mehr von Bruce Nauman

Untitled

Untitled

Reproduction Proof of "Self Portrait as Fountain"

Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body

Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists

Walking in an Exaggerated Manner Around the Perimeter of a Square

Violin Film #1 (Playing The Violin As Fast As I Can)

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black

Nachbarn im Haus: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950