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  3. Lines of Force
Lines of Force, Bob Snyder, 1979
BBob SnyderVereinigte Staaten

Lines of Force

1979 · Film, Video, New Media

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Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 9 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

In over three decades of work, Bob Snyder has combined synthesized sound and visual imagery to great effect. He played an integral role in developing the Sound Art Department at the School of the Art Institute, where he has been a faculty member since 1974. While formally trained in music and composition, Snyder originally had ambitions as a painter and always maintained a strong interest in visual representation. His early experiments with oscilloscopes—which he used to visualize sound waves and accompany his musical compositions—naturally led him to video technology, which afforded further opportunities to blend the visual and the aural in innovative ways. Among the original collaborators with Dan Sandin at University of Illinois-Chicago’s Circle Graphics Habitat, Snyder was in the vanguard of formal video investigations with the Sandin Image Processor and other experimental equipment.

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Modulating between abstract and representational images, Lines of Force uses found footage from a variety of sources, including a classified weapons testing film produced by the United States Army, segments from the 1973 movie Psychomania, and various selections from broadcast television. The artist described using the editing technique of the match cut—juxtaposing things that happen to resemble each other within the same frame—as a way of creating visual puns.

Art Institute of Chicago · CC BY 4.0

Angaben

Inventarnummer
1983.266

Im Katalog

Gegenwartskunst20. JahrhundertVereinigte Staaten

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — © the artist or rights holder

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