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  3. Hysteria
Hysteria, Sam Taylor-Wood, 1997
Sam Taylor-Johnson, PorträtSam Taylor-JohnsonVereinigtes Königreich, 1967

Hysteria

1997 · Film, Video, New Media

Darf man es sehen?

Empfängt derzeit nicht

Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vorgestern
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

Sam Taylor-Wood rose to prominence in the 1990s for her psychologically sensitive films, photographs, and videos. In many of her works, she presents small moments of human drama that function as portraits of individual personalities, passions, and obsessions. The artist has stated, “I am trying to gather a complete series of human feelings, even if reflected in more than one person. The same room is the setting for eroticism, rage, pensiveness, creativity, repulsion, anxiety, joy, anguish, pleasure. It is as if I wanted to explain the entire range of the emotional or existential world.” The workings of emotion are far from simple, though, and as Taylor-Wood depicts ritualized expressions and intense outbursts in works like Hysteria, she explores the possible disjunctions between outward behavior and an internal sense of self.

Weiterlesen

The title Hysteria refers to an extreme state of emotional disturbance while recalling the now-discredited notion of female hysteria, a common diagnosis during the Victorian era for women experiencing any number of symptoms. The eight-minute video is a closely framed view of a woman’s face that challenges us to distinguish whether she is laughing or crying. The footage is presented in slow motion and without sound, heightening the confusion between these different emotions. In narrative cinema, close-ups conventionally elicit a feeling of intimacy with the characters, but Taylor-Wood’s ambiguous depiction of the woman’s silenced cries encourages varied responses—from conflicting senses of identification and alienation to different shades of emotional engagement and critical detachment.

Art Institute of Chicago · CC BY 4.0

Angaben

1997 · mit 30 Jahren
1967heute
Inventarnummer
2007.39

Im Katalog

Gegenwartskunst20. JahrhundertVereinigte Staaten

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — © the artist or rights holder

Mehr von Sam Taylor-Johnson

Alle Werke
Five Revolutionary Seconds XIII, Sam Taylor-Johnson, 1998

Five Revolutionary Seconds XIII

1998 · Nicht ausgestellt · National Gallery of Art

Untitled (Man by Window), Sam Taylor-Johnson, 1999

Untitled (Man by Window)

1999 · Nicht ausgestellt · National Gallery of Art

Ray and Pauline from Third Party, Sam Taylor-Wood, 1999

Ray and Pauline from Third Party

1999 · Nicht ausgestellt · Museum of Modern Art

Looking Out, Sam Taylor-Johnson, 2002

Looking Out

2002 · Nicht ausgestellt · National Gallery of Art

Travesty of a Mockery, Sam Taylor-Wood, 1995

Travesty of a Mockery

1995 · Nicht ausgestellt · Statens Museum for Kunst

Bound Ram, Sam Taylor-Wood, 2001

Bound Ram

2001 · Nicht ausgestellt · Art Institute of Chicago

Nachbarn im Haus: Art Institute of Chicago

Museumsseite
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Straße in Paris an einem regnerischen Tag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Auf der Terrasse, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942