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  1. Sammlung/
  2. Museum of Modern Art/
  3. Hands Holding a Void
Hands Holding a Void, Alberto Giacometti, 1934
Alberto Giacometti, PorträtAlberto GiacomettiSchweiz, 1901–1966

Hands Holding a Void

1934 · Print

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Museum of Modern Art

New York City, Vereinigte Staaten

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Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1934 · mit 33 Jahren
19011966
Inventarnummer
328.1948

Im Katalog

DruckgrafikKupferstichModerne20. Jahrhundert

Quellen

  • Museum of Modern Art
  • Bild: Museum of Modern Art — © the artist or rights holder

Derweil im Leben von Alberto Giacometti

Das ganze Leben
  1. 1932

    First solo exhibition

    Giacometti’s first solo exhibition took place in 1932, five years after his works were shown at the Salon des Tuileries.

  2. 1935

    The end of his Surrealist period

    In 1935 the artist turned his back on Surrealism and disowned all his works from that period, calling them “a complete dead end” (by other accounts, he was expelled from the group).

  3. 1935–1940

    A two-week study stretches over five years

    Wanting to return to compositions with figures, Giacometti took a model in 1935, expecting to finish in two weeks, but worked with the model all day until 1940. “Nothing was as I imagined,” he recalled; a head became for him an object completely unknown and without dimensions.

  4. 1936–1940

    The head and the sitter’s gaze

    In 1936–1940 Giacometti concentrated on the sculpted head, studying the sitter’s gaze; he preferred models he was close to — his sister and the artist Isabel Rawsthorne (then Isabel Delmer). Later his statues of Isabel became stretched out, her limbs elongated.

Mehr von Alberto Giacometti

Alle Werke
Spoon Woman, Alberto Giacometti, 1926-27 (cast 1976)

Spoon Woman

1926-27 (cast 1976) · Museum of Modern Art

No More Play, Alberto Giacometti, 1931-1932

No More Play

1931-1932 · National Gallery of Art

The Palace at 4 a.m., Alberto Giacometti, 1932

The Palace at 4 a.m.

1932 · Museum of Modern Art

The Invisible Object (Hands Holding the Void), Alberto Giacometti, model 1934, cast 1935

The Invisible Object (Hands Holding the Void)

model 1934, cast 1935 · National Gallery of Art

The Chariot, Alberto Giacometti, 1950

The Chariot

1950 · National Gallery of Art

Walking Man II, Alberto Giacometti, 1960

Walking Man II

1960 · National Gallery of Art

Tall Figure, III, Alberto Giacometti, 1960

Tall Figure, III

1960 · Museum of Modern Art

Femme Debout I (Standing Woman I), Alberto Giacometti, 1960

Femme Debout I (Standing Woman I)

1960 · J. Paul Getty Museum

Nachbarn im Haus: Museum of Modern Art

Museumsseite
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Sternennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950